{"title":"Full Collection","description":"","products":[{"product_id":"pl-675-little-pied-flycatcher-2-red-crested-flycatcher","title":"Pl. 675 (Little Pied Flycatcher 2. Red Crested Flycatcher)","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eArtist: \u003c\/strong\u003eGeorge Louis Buffon (After)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedium: \u003c\/strong\u003eEngraving- By Francois Nicolas Martinet \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublish Details: \u003c\/strong\u003eLondon: Matinet, 1770-1786, original hand coloring\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMeasurements: \u003c\/strong\u003e12 1\/2 x 9 in. (sheet), 14 x 12 in. (matted)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition: \u003c\/strong\u003eExcellent Condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"0\" data-end=\"318\"\u003eBuffon, the Comte de Buffon (1707–1788), was one of the most influential naturalists of the eighteenth century and a towering figure in European science. His celebrated \u003cem data-start=\"169\" data-end=\"201\"\u003eHistoire Naturelle des Oiseaux\u003c\/em\u003e contains some of the finest bird prints ever published, admired for their delicate artistry, detail, and elegance.\u003c\/p\u003e\n\u003cp data-start=\"320\" data-end=\"678\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eBuffon believed there were between 1,500 and 2,000 species of birds in the world and was among the first scholars to seriously attempt to identify and name them. Created by Buffon and other talented artists, these engravings remain highly sought after for their beauty, historical significance, and timeless appeal to collectors and nature enthusiasts alike.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48036144677018,"sku":null,"price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/ChatGPTImageMay15_2026_07_19_06PMc.png?v=1778887391"},{"product_id":"lining-up","title":"Lining Up","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eArtist: \u003c\/strong\u003eChurchill Ettinger\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedium: \u003c\/strong\u003eEtching- By Churchill Ettinger \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublish Details: \u003c\/strong\u003eNew York: Ca. 1930s\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMeasurement: \u003c\/strong\u003eApprox. 11 x 15 in. (sheet), 14 x 18 in. (matted)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition: \u003c\/strong\u003eExcellent Condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"320\" data-end=\"678\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eChurchill Ettinger (1903-1985) was born in Haworth, NJ on May 10, 1903. He studied at the National Academy of Design, the Art Students League and the New York School of Industrial Art. At one time Ettinger was portrait artist on the staff of the New York Sunday World and the Outlook Magazine. His etchings are amazingly detailed and accurate. His works have belong in the collections of Yale University, Iowa State College, William Rockhill Nelson Gallery of Art and the Honolulu Academy of Fine Arts,\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48036312481946,"sku":null,"price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/Mallard_brightenedc.jpg?v=1778892244"},{"product_id":"plate-333-camellia-jenny-lind","title":"Plate 333- Camellia Jenny Lind","description":"\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eAmbroise Verschaffelt \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eMedium: \u003c\/strong\u003eLithograph- By G. Severeyns and L. Stroobant \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublish Details: \u003c\/strong\u003e1851, original hand coloring\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMeasurements: \u003c\/strong\u003eApprox. 9 3\/4 x 6 3\/4 in. (sheet), 14 1\/2 x 11 1\/2  in. (matted)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition: \u003c\/strong\u003eExcellent Condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA beautiful hand-colored lithograph from the celebrated Verschaffelt series on camellia varieties, a landmark work of 19th-century botanical illustration comprising 624 plates published in Ghent between 1848 and 1860. The series was begun by Alexandre Verschaffelt in 1848 and continued by Ambroise Verschaffelt from March 1850 through its completion in 1860.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe plates were drawn by a distinguished group of botanical artists, including B. Leon, A. Lagarde, G. Severeyns, L. Stroobant, and P. Stroobant. Their richly detailed, hand-colored lithographs continue the tradition established by Jung's illustrations for Lorenzo Berlèse's \u003c\/span\u003e\u003cem\u003eIconographie du Genre Camellia\u003c\/em\u003e\u003cspan\u003e, published in Paris from 1839 to 1843.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA handsome example of fine 19th-century horticultural art, suitable for framing and display.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReference: Sitwell, Great Flower Books, p. 161.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48038452953242,"sku":null,"price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/camellia333c.jpg?v=1778980459"},{"product_id":"plate-309-camellia-maichesa-caiega","title":"Plate 309- Camellia Maichesa Caiega","description":"\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eAmbroise Verschaffelt \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eMedium: \u003c\/strong\u003eLithograph- By G. Severeyns and L. Stroobant \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublish Details: \u003c\/strong\u003e1851, original hand coloring\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMeasurements: \u003c\/strong\u003eApprox. 9 3\/4 x 6 3\/4 in. (sheet), 14 1\/2 x 11 1\/2  in. (matted)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition: \u003c\/strong\u003eExcellent Condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA beautiful hand-colored lithograph from the celebrated Verschaffelt series on camellia varieties, a landmark work of 19th-century botanical illustration comprising 624 plates published in Ghent between 1848 and 1860. The series was begun by Alexandre Verschaffelt in 1848 and continued by Ambroise Verschaffelt from March 1850 through its completion in 1860.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe plates were drawn by a distinguished group of botanical artists, including B. Leon, A. Lagarde, G. Severeyns, L. Stroobant, and P. Stroobant. Their richly detailed, hand-colored lithographs continue the tradition established by Jung's illustrations for Lorenzo Berlèse's \u003c\/span\u003e\u003cem\u003eIconographie du Genre Camellia\u003c\/em\u003e\u003cspan\u003e, published in Paris from 1839 to 1843.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA handsome example of fine 19th-century horticultural art, suitable for framing and display.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReference: Sitwell, Great Flower Books, p. 161.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48039490289818,"sku":null,"price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/cam309c_18cdc0a5-7697-421a-b017-4c6e403fe792.jpg?v=1779029550"},{"product_id":"plate-317-camellia-bella-di-pisas","title":"Plate 317- Camellia Bella di Pisas","description":"\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003eAmbroise Verschaffelt \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eMedium: \u003c\/strong\u003eLithograph- By G. Severeyns and L. Stroobant \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublish Details: \u003c\/strong\u003e1851, Original hand coloring\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMeasurements: \u003c\/strong\u003eApprox. 9 3\/4 x 6 3\/4 in. (sheet), 14 1\/2 x 11 1\/2  in. (matted)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition: \u003c\/strong\u003eMinor foxing in upper left corner, otherwise Very Good Condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA beautiful hand-colored lithograph from the celebrated Verschaffelt series on camellia varieties, a landmark work of 19th-century botanical illustration comprising 624 plates published in Ghent between 1848 and 1860. The series was begun by Alexandre Verschaffelt in 1848 and continued by Ambroise Verschaffelt from March 1850 through its completion in 1860.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe plates were drawn by a distinguished group of botanical artists, including B. Leon, A. Lagarde, G. Severeyns, L. Stroobant, and P. Stroobant. Their richly detailed, hand-colored lithographs continue the tradition established by Jung's illustrations for Lorenzo Berlèse's \u003c\/span\u003e\u003cem\u003eIconographie du Genre Camellia\u003c\/em\u003e\u003cspan\u003e, published in Paris from 1839 to 1843.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA handsome example of fine 19th-century horticultural art, suitable for framing and display.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReference: Sitwell, Great Flower Books, p. 161.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48039528661146,"sku":null,"price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/cam317c.jpg?v=1779030423"},{"product_id":"the-olden-time","title":"The Olden Time","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eArtist: \u003c\/strong\u003eCharles C. Henderson\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedium: \u003c\/strong\u003eAquatint- By John Harris\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublish Details: \u003c\/strong\u003eLondon: Fores, 1846, Original hand coloring\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMeasurements: \u003c\/strong\u003e21 x 30 in (Sheet), 24 x 34 in (matted)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition: \u003c\/strong\u003eVery Good Condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"\" data-turn-id-container=\"d7035209-dbf6-488c-83f1-43c69b94351d\" data-is-intersecting=\"true\"\u003e\n\u003cdiv class=\"relative w-full overflow-visible\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-(--header-height)\" dir=\"auto\" data-turn-id=\"d7035209-dbf6-488c-83f1-43c69b94351d\" data-turn-id-container=\"d7035209-dbf6-488c-83f1-43c69b94351d\" data-testid=\"conversation-turn-7\" data-scroll-anchor=\"false\" data-turn=\"user\"\u003e\u003c\/section\u003e\n\u003cdiv class=\"contents\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-turn-id-container=\"request-WEB:43563c45-1ec9-4b4d-8b05-bded0f09715e-3\" data-is-intersecting=\"true\"\u003e\n\u003cdiv class=\"relative w-full overflow-visible\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:43563c45-1ec9-4b4d-8b05-bded0f09715e-3\" data-turn-id-container=\"request-WEB:43563c45-1ec9-4b4d-8b05-bded0f09715e-3\" data-testid=\"conversation-turn-8\" data-scroll-anchor=\"false\" data-turn=\"assistant\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"7b41ffc7-392e-4600-83da-56c1dfd78691\" dir=\"auto\" data-message-model-slug=\"gpt-5-5\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-turn-start-message=\"true\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp data-start=\"0\" data-end=\"580\"\u003eMessrs. Fores were among the most celebrated British publishers of 19th-century sporting and genre scenes. Between 1845 and 1856, they issued an impressive series of sporting sets, including \u003cem data-start=\"191\" data-end=\"213\"\u003eSteeple Chase Scenes\u003c\/em\u003e, \u003cem data-start=\"215\" data-end=\"240\"\u003eHunting Accomplishments\u003c\/em\u003e, \u003cem data-start=\"242\" data-end=\"262\"\u003eHunting Casualties\u003c\/em\u003e, \u003cem data-start=\"264\" data-end=\"275\"\u003eContracts\u003c\/em\u003e, \u003cem data-start=\"277\" data-end=\"295\"\u003eHunting Sketches\u003c\/em\u003e, \u003cem data-start=\"297\" data-end=\"317\"\u003eCoaching Incidents\u003c\/em\u003e, and \u003cem data-start=\"323\" data-end=\"347\"\u003eCoaching Recollections\u003c\/em\u003e. These works were based on paintings by the distinguished artists Henry Alken Sr. and Charles C. Henderson, and were expertly aquatinted by John Harris, whose craftsmanship beautifully complements the lively and engaging subjects.\u003c\/p\u003e\n\u003cp data-start=\"582\" data-end=\"902\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThis fine print, after Henderson, depicts a mail coach preparing to depart from an inn. Produced during the period when railroads were beginning to replace Britain’s traditional coaching system, the scene would have evoked a sense of nostalgia for contemporary audiences, just as it continues to do for collectors today.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48041659498650,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/OldentimeNonMatc.jpg?v=1779041583"},{"product_id":"stirling-scotland","title":"Stirling [Scotland]","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eArtist: \u003c\/strong\u003eAndrew F. Affleck\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedium:\u003c\/strong\u003e Etching- By Andrew F. Affleck\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublish Details: \u003c\/strong\u003eCa. 1915, signed in pencil by artist\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMeasurements: \u003c\/strong\u003e15 1\/2 x 21 1\/2 in. (sheet), 26 x 31 in (frame)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good condition, in period frame\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"0\" data-end=\"279\"\u003eAffleck (1874–c.1935) was a painter and etcher from Ayr who specialized in architectural subjects, and is often ranked alongside Hedley Fitton and Axel Haig. Although best known for his architectural works, he also produced a small number of landscape and topographical scenes.\u003c\/p\u003e\n\u003cp data-start=\"281\" data-end=\"664\"\u003eOf Scottish origin, Affleck eventually settled in London after spending many years traveling and living throughout England, Belgium, France, and Spain. He created etchings depicting views in England, Holland, Italy, Belgium, and America. Around 1910, he moved permanently to France, where he produced some of his finest works, many focusing on French buildings and their interiors. Today, the largest collections of Affleck’s original etchings are housed in the British Museum in London.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48041694232730,"sku":null,"price":400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/affleckstirlingthmbc.jpg?v=1779044193"},{"product_id":"the-government-house-new-york-city","title":"The Government House [New York City]","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eArtist: \u003c\/strong\u003eW.J. Condit\/C. Milbourne\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedium:\u003c\/strong\u003e Second Stone Chromolithograph- By William Ells\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublish Details:\u003c\/strong\u003e New York: H.R. Robinson, 1847\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMeasurements: \u003c\/strong\u003e14 3\/4 x 21 1\/4 in. (sheet), 22 1\/2 x 27 3\/4 in. (mat)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good condition- Old mat burn in margins (not affecting image), print professionally conserved. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"0\" data-end=\"368\"\u003eAn interesting historical view of “Government House” as it appeared in 1797, issued during the mid-19th century. The image, as well as the original watercolor, bears the signature of C. Milbourne, “Delin Et Excu’d,” indicating it was drawn and executed by Milbourne. However, the printed credit states that it was produced “From the original drawing by W.J. Condit.” This suggests either that Milbourne created the finished watercolor after a drawing by Condit, or that the lithograph was prepared by Condit after Milbourne’s original watercolor.\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"309\"\u003eGovernment House was built in 1790 and intended to serve as the residence of George Washington when New York was the nation’s capital. However, the capital was moved to Philadelphia that same year, and the building instead became the residence of New York’s governors, including George Clinton and John Jay. In 1799, the structure was converted into the Custom House, a role it served until 1815, when it was demolished. The building stood on Broadway facing Bowling Green, which can be seen at the left of the composition. Because the original watercolor was drawn on the spot, this print, although issued nearly half a century later, provides an excellent and historically valuable view of New York City at the close of the 18th century.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48041825075354,"sku":null,"price":400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/Government_Housec.jpg?v=1779047653"},{"product_id":"new-york-river-scene","title":"[New York River Scene]","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eArtist: \u003c\/strong\u003eHortense T. Ferne \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedium:\u003c\/strong\u003e Etching- By Hortense T. Ferne\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublish Details: \u003c\/strong\u003esigned in pencil by artist\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMeasurements: \u003c\/strong\u003eApprox. 8 1\/2 x 11 1\/2 in. (sheet), 11 x 14 in. (mat)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConditions: \u003c\/strong\u003eExcellent condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"0\" data-end=\"447\"\u003eHortese Fern was born in New York City and studied under both Charles Webster Hawthorne and William Merritt Chase, whose artistic influence is evident in her work. Her etchings and lithographs have been exhibited at prestigious institutions including the Smithsonian, the Library of Congress, the Museum of the Statue of Liberty, the Philadelphia Museum of Art, the Metropolitan Museum of Art in New York, and the Wadsworth Atheneum in Hartford.\u003c\/p\u003e\n\u003cp data-start=\"449\" data-end=\"737\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eHer paintings have also been shown at venues such as the Graphic Sketch Club, the Lenape Club, the Barnum Circus Museum in Philadelphia, Cardinal Portrait in Rome, and the Republican Club in New York. Hortese Fern is also believed to be the same artist as the painter Hortense Fernberger.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48042015654042,"sku":null,"price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/FerneNewYorkRiverc.jpg?v=1779049875"},{"product_id":"harlem-river-new-york-city","title":"Harlem River [New York City]","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eArtist: \u003c\/strong\u003eOtto Kuhler\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedium:\u003c\/strong\u003e Etching- By Otto Kuhler\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublish Details: \u003c\/strong\u003e1928, signed in pencil by artist. Additional note stating \"Ed: 15 Proofs, Plate destroyed\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMeasurements: \u003c\/strong\u003e12 1\/4 x 19 1\/2 in. (sheet), 16 1\/4 x 20 in. (mat)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConditions: \u003c\/strong\u003eVery good condition- small tear in left side of paper\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"0\" data-end=\"492\"\u003eAlthough best known for his industrial designs, Otto Kuhler (1894–1977) was also a highly regarded fine artist and draftsman. Born in Germany, he was the sole heir to his family’s successful steel enterprise, Kuhler Forges. Following World War I, however, both the business and the family fortune collapsed. After a brief period living in Düsseldorf, and partly through the encouragement of his friend Joseph Pennell, Kuhler turned to etching before emigrating to the United States in 1923.\u003c\/p\u003e\n\u003cp data-start=\"494\" data-end=\"920\"\u003eKuhler’s etchings of smoke-filled industrial scenes reflected the same optimistic fascination with technology that later inspired his colorful streamlined designs for the Milwaukee Road, the Lehigh Valley Railroad, and other rail companies during the 1930s. His prints successfully bridged the worlds of art and industry, combining freely sketched compositions with a celebration of precise engineering and industrial power.\u003c\/p\u003e\n\u003cp data-start=\"922\" data-end=\"1396\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThis fusion of industrial design and artistic vision eventually brought Kuhler widespread recognition. After years of submitting proposals, a locomotive based on his designs was finally constructed. In May 1935, the \u003cem data-start=\"1138\" data-end=\"1148\"\u003eHiawatha\u003c\/em\u003e emerged from the Schenectady, New York yards as the first streamlined steam locomotive built from the ground up in America. Its success marked the beginning of the next phase of Kuhler’s career as one of the country’s leading industrial designers.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48042035282074,"sku":null,"price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/KuhlerHarlemRiverc.jpg?v=1779051208"},{"product_id":"a-bark","title":"A Bark","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist: \u003c\/b\u003eGeorge A. Bradshaw\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium: \u003c\/b\u003eEtching- By George A. Bradshaw\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003eCa. 1930, signed by artist in pencil\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003eApprox. 6 3\/4 x 9 1\/2 in. (sheet), 11 x 14 in. (mat)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions: \u003c\/b\u003eExcellent Condition\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48043730272410,"sku":null,"price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/BradshawBarkc.jpg?v=1779057064"},{"product_id":"hanover-street-bridge-baltimore-spanning-north-west-harbor-and-the-patapsco-river","title":"Hanover Street Bridge [Baltimore; Spanning North West Harbor and the Patapsco River]","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist: \u003c\/b\u003eM. Paul Roche\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium:\u003c\/b\u003e Etching- By M. Paul Roche\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003eBaltimore: 1927. Trial Proof, Edition: 250\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003e13 1\/4 x 16 in. (sheet), 16 x 20 in. (mat)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions: \u003c\/b\u003eExcellent condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"0\" data-end=\"455\"\u003eBorn in 1888 in Cork, Ireland, M. Paul Roche (1888–1959) was an etcher, lithographer, painter, sculptor, and lecturer who later immigrated to the United States. He studied at the Pratt Institute in Brooklyn and at the National Academy of Design in New York before settling in Baltimore, Maryland. A member of the Brooklyn Society of Etchers, his work included a series of etchings of the University of Virginia and lithographs depicting Yale University.\u003c\/p\u003e\n\u003cp data-start=\"457\" data-end=\"1164\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThis print is a trial proof from a series of eight etchings of Baltimore scenes published by the Baltimore Association of Commerce in 1927 and issued in an edition of 250 sets. The Baltimore Association of Commerce, the city’s principal business and civic organization, was formed in 1923 through the merger of the Board of Trade of Baltimore and the Merchants and Manufacturers Association. The latter had published \u003cem data-start=\"874\" data-end=\"894\"\u003eBaltimore Magazine\u003c\/em\u003e since 1907, a tradition continued by the Association along with various monographic reports on the city. \u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48043734827162,"sku":null,"price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/RocheHanoverStreetBridge1c.jpg?v=1779058240"},{"product_id":"plate-8-aquilegia-from-florilegium","title":"Plate 8 \"Aquilegia\" from \"Florilegium\"","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist: \u003c\/b\u003eEmanuel Sweert\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium: \u003c\/b\u003eEngraving- By Anthony Kempner\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003eAmsterdam: 1612, original hand coloring\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003eApprox. 15 3\/4 x 10 in. (sheet), 18 x 13 in. (mat)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good condition- minor foxing in image, typical of prints this old\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"0\" data-end=\"530\"\u003eSweert’s \u003cem data-start=\"9\" data-end=\"22\"\u003eflorilegium\u003c\/em\u003e stands as one of the earliest and most celebrated examples of botanical illustration published in the Netherlands. Issued in 1612 by the Dutch publisher Emanuel Sweerts, the work contains little accompanying text beyond a multilingual catalogue of the illustrated plants in Latin, German, French, and English. As noted by Wilfrid Blunt and William T. Stearn, the publication also functioned as a commercial sales catalogue, advertising plants available for purchase from Sweerts’s shop in Frankfurt-am-Main.\u003c\/p\u003e\n\u003cp data-start=\"532\" data-end=\"1068\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThe vivid and decorative botanical images exemplify the appeal of the seventeenth-century florilegium, a genre devoted more to the beauty and arrangement of flowers than to scientific originality. Although many of the plates were adapted from earlier sources, including Pierre Vallet’s 1608 embroidery pattern book, the compositions remain highly refined and visually engaging. Sweerts’s work therefore reflects the close relationship between natural history, printmaking, commerce, and the decorative arts during the early modern period.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48043911643290,"sku":null,"price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/Sweert8c.webp?v=1779065860"},{"product_id":"plate-34-cistus-sive-helianthemon-cistus-femina-cistus-mas-geranium-flore-albo-genarium-bulbosum-geranium-flore-purpureo-from-florilegium","title":"Plate 34 \"\"Cistus sive Helianthemon, Cistus femina, Cistus mas, Geranium flore albo, Genarium bulbosum, Geranium flore purpureo.\" From \"Florilegium\"","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist: \u003c\/b\u003eEmanuel Sweert\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium: \u003c\/b\u003eEngraving- By Anthony Kempner\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003eAmsterdam: 1612, original hand coloring\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003eApprox. 15 3\/4 x 10 in. (sheet), 18 x 13 in. (mat)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good condition- minor foxing in image, typical of prints this old\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"0\" data-end=\"530\"\u003eSweert’s \u003cem data-start=\"9\" data-end=\"22\"\u003eflorilegium\u003c\/em\u003e stands as one of the earliest and most celebrated examples of botanical illustration published in the Netherlands. Issued in 1612 by the Dutch publisher Emanuel Sweerts, the work contains little accompanying text beyond a multilingual catalogue of the illustrated plants in Latin, German, French, and English. As noted by Wilfrid Blunt and William T. Stearn, the publication also functioned as a commercial sales catalogue, advertising plants available for purchase from Sweerts’s shop in Frankfurt-am-Main.\u003c\/p\u003e\n\u003cp data-start=\"532\" data-end=\"1068\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThe vivid and decorative botanical images exemplify the appeal of the seventeenth-century florilegium, a genre devoted more to the beauty and arrangement of flowers than to scientific originality. Although many of the plates were adapted from earlier sources, including Pierre Vallet’s 1608 embroidery pattern book, the compositions remain highly refined and visually engaging. Sweerts’s work therefore reflects the close relationship between natural history, printmaking, commerce, and the decorative arts during the early modern period.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48043916787866,"sku":null,"price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/Sweert34.webp?v=1779066582"},{"product_id":"trinity-church-pittsburgh","title":"Trinity Church [Pittsburgh]","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist: \u003c\/b\u003eS. Lee Bear\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium: \u003c\/b\u003eEtching- By S. Lee Bear\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003e1951, signed in pencil by artist\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003e15 1\/4 x 13 1\/4 in (sheet), 20 x16 (mat)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions: \u003c\/b\u003eExcellent condition\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48044110053530,"sku":null,"price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/BearTrinityChurchC.webp?v=1779068365"},{"product_id":"hong-kong-harbor","title":"Hong Kong Harbor","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist: \u003c\/b\u003eElizabeth Lentz Horter\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium: \u003c\/b\u003eEtching- By Elizabeth Lentz Horter\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003e1935, singed in pencil by artist\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003e8 3\/4 x 11 7\/8 in. (sheet)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions:\u003c\/b\u003e Very Good Condition- faint diagonal crease upper left hand corner of image\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"0\" data-end=\"392\"\u003eElizabeth Lentz Horter is often remembered as the wife of celebrated artist \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eEarl Horter\u003c\/span\u003e\u003c\/span\u003e, but her own accomplishments as a painter, illustrator, teacher, and printmaker deserve equal recognition. While she devoted much of her career to supporting and promoting her husband’s work during challenging times, she also developed a distinctive artistic voice of her own.\u003c\/p\u003e\n\u003cp data-start=\"394\" data-end=\"984\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eBecause Elizabeth Horter did little to publicize her artwork, many of her prints and paintings are difficult to date precisely. It is believed that after Earl Horter’s death, she began signing works with her maiden name, Elizabeth Lentz. Her finely executed compositions span a variety of mediums, including watercolor, etching, lithography, and woodblock printing, showcasing both technical skill and thoughtful design. \u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48080373416090,"sku":null,"price":375.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/HorterHongKong.jpg?v=1779113419"},{"product_id":"hong-kong-harbor-copy","title":"Manayunk Hillside [Philadelphia]","description":"\u003cul type=\"disc\" style=\"margin-top: 0in;\"\u003e\n\u003cli style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\" class=\"MsoNormal\"\u003e\n\u003cb\u003eArtist: \u003c\/b\u003eElizabeth Lentz Horter\u003c\/li\u003e\n\u003cli style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\" class=\"MsoNormal\"\u003e\n\u003cb\u003eMedium: \u003c\/b\u003eLithograph- By Elizabeth Lentz Horter\u003c\/li\u003e\n\u003cli style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\" class=\"MsoNormal\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003eCa. 1945, singed in pencil by artist, #13\/14\u003c\/li\u003e\n\u003cli style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\" class=\"MsoNormal\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003eApprox. 10 1\/2 x 11 3\/4 in. (sheet)\u003c\/li\u003e\n\u003cli style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\" class=\"MsoNormal\"\u003e\n\u003cb\u003eConditions:\u003c\/b\u003e Excellent Condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"392\" data-start=\"0\"\u003eElizabeth Lentz Horter is often remembered as the wife of celebrated artist \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eEarl Horter\u003c\/span\u003e\u003c\/span\u003e, but her own accomplishments as a painter, illustrator, teacher, and printmaker deserve equal recognition. While she devoted much of her career to supporting and promoting her husband’s work during challenging times, she also developed a distinctive artistic voice of her own.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"984\" data-start=\"394\"\u003eBecause Elizabeth Horter did little to publicize her artwork, many of her prints and paintings are difficult to date precisely. It is believed that after Earl Horter’s death, she began signing works with her maiden name, Elizabeth Lentz. Her finely executed compositions span a variety of mediums, including watercolor, etching, lithography, and woodblock printing, showcasing both technical skill and thoughtful design. \u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48080391962778,"sku":null,"price":225.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/HorterManayunkHillsidec.jpg?v=1779114563"},{"product_id":"adams-square-boston","title":"Adams Square, Boston","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist: \u003c\/b\u003eDwight Case Sturges\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium: \u003c\/b\u003eEtching- By Dwight Case Sturges\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003eNo Date, signed in pencil by artist\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003e16 x 12 in. (sheet), 20 x 16 in. (mat)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions: \u003c\/b\u003eExcellent Condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"0\" data-end=\"495\"\u003eAmong the most acclaimed American etchers of the early twentieth century, \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eDwight Case Sturges\u003c\/span\u003e\u003c\/span\u003e studied at the Cowles Art School in Boston and first worked primarily as an oil painter. Around 1910, however, he turned almost exclusively to original etching, a decision that quickly brought him widespread recognition. His finely executed prints earned numerous honors, including awards from the Chicago Society of Etchers and the 1915 Panama-Pacific Exposition in San Francisco.\u003c\/p\u003e\n\u003cp data-start=\"497\" data-end=\"1097\"\u003eSturges was an active member of several prominent arts organizations, including the Chicago Society of Etchers, the Canadian Society of Etchers, the Concord Art Association, and the American Federation of Arts. Today, his works are held in the collections of many major institutions, including the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eArt Institute of Chicago\u003c\/span\u003e\u003c\/span\u003e, the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eNew York Public Library\u003c\/span\u003e\u003c\/span\u003e, the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eFarnsworth Art Museum\u003c\/span\u003e\u003c\/span\u003e, the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eFogg Museum\u003c\/span\u003e\u003c\/span\u003e, the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eToledo Museum of Art\u003c\/span\u003e\u003c\/span\u003e, the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eMuseum of Fine Arts, Boston\u003c\/span\u003e\u003c\/span\u003e, and the \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eLibrary of Congress\u003c\/span\u003e\u003c\/span\u003e.\u003c\/p\u003e\n\u003cp data-start=\"1099\" data-end=\"1608\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eDuring the 1920s, Sturges developed a strong international reputation for his atmospheric figure studies and landscapes. His original etchings were published by the influential \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eKennedy Galleries\u003c\/span\u003e\u003c\/span\u003e on Fifth Avenue in New York, typically in editions of 100 impressions or fewer, adding to their desirability among collectors. These refined and highly detailed prints were exhibited widely in both England and France, helping establish Sturges as one of the leading American etchers of his era.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48080445210778,"sku":null,"price":325.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/SturgesAdamsSquarec.jpg?v=1779115378"},{"product_id":"scene-on-the-delaware-river","title":"Scene on the Delaware River","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist:\u003c\/b\u003e Haskell \u0026amp; Allen\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium: \u003c\/b\u003eLithograph- By Haskell \u0026amp; Allen\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003eBoston: ca. 1869-1876\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003eApprox. 11 3\/4 x 15 1\/2 in. (sheet), 15 x 19 in. (mat)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions: \u003c\/b\u003eVery Good Condition- minor foxing and slightly toned paper\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"0\" data-end=\"497\"\u003eThe Boston publishing firm of \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eHaskell \u0026amp; Allen\u003c\/span\u003e\u003c\/span\u003e was one of the principal rivals to the famous New York publisher \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eCurrier \u0026amp; Ives\u003c\/span\u003e\u003c\/span\u003e, and this charming print demonstrates why their work was so widely admired in the nineteenth century. Known for producing attractive and affordable lithographs for the American public, Haskell \u0026amp; Allen created images that combined strong visual appeal with skilled craftsmanship, making their prints highly collectible today.\u003c\/p\u003e\n\u003cp data-start=\"499\" data-end=\"940\"\u003eCharles Haskell began his career as a picture framer and print seller, and by 1868 he was listed in the Boston directory as a partner in Haskell \u0026amp; Ripley at 18 Hanover Street. The following year he formed a new partnership with George F. Allen, establishing the firm of Haskell \u0026amp; Allen. In 1873 the business expanded and moved to 61 Hanover Street, reflecting the company’s growing success during the peak years of the popular print trade.\u003c\/p\u003e\n\u003cp data-start=\"942\" data-end=\"1294\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eAlthough the firm prospered through much of the 1870s, financial difficulties eventually led to bankruptcy in April 1878. Despite its relatively short existence, Haskell \u0026amp; Allen produced a memorable body of work that remains appreciated for its lively subject matter, decorative quality, and important place in the history of American print publishing.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48080542335130,"sku":null,"price":550.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/HaskellAllenDelawareRiverc.jpg?v=1779116316"},{"product_id":"plate-16-campanula-trachelium-viola-marina-from-florilegium","title":"Plate 16 \"Campanula, Trachelium, Viola Marina\" From \"Florilegium\"","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist: \u003c\/b\u003eEmanuel Sweert\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium: \u003c\/b\u003eEngraving- By Anthony Kempner\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003eAmsterdam: 1612, original hand coloring\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003eApprox. 15 3\/4 x 10 in. (sheet), 18 x 13 in. (mat)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cstrong\u003eCondition: \u003c\/strong\u003eVery Good Condition- minor foxing in image, typical of prints this old\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"0\" data-end=\"530\"\u003eSweert’s \u003cem data-start=\"9\" data-end=\"22\"\u003eflorilegium\u003c\/em\u003e stands as one of the earliest and most celebrated examples of botanical illustration published in the Netherlands. Issued in 1612 by the Dutch publisher Emanuel Sweerts, the work contains little accompanying text beyond a multilingual catalogue of the illustrated plants in Latin, German, French, and English. As noted by Wilfrid Blunt and William T. Stearn, the publication also functioned as a commercial sales catalogue, advertising plants available for purchase from Sweerts’s shop in Frankfurt-am-Main.\u003c\/p\u003e\n\u003cp data-start=\"532\" data-end=\"1068\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThe vivid and decorative botanical images exemplify the appeal of the seventeenth-century florilegium, a genre devoted more to the beauty and arrangement of flowers than to scientific originality. Although many of the plates were adapted from earlier sources, including Pierre Vallet’s 1608 embroidery pattern book, the compositions remain highly refined and visually engaging. Sweerts’s work therefore reflects the close relationship between natural history, printmaking, commerce, and the decorative arts during the early modern period.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48080841998490,"sku":null,"price":700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/Sweert16c.webp?v=1779119911"},{"product_id":"plate-59","title":"Plate 59","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist:\u003c\/b\u003e Jane Wells Loudon\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium: \u003c\/b\u003eLithograph- By Day \u0026amp; Haghe\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003eLondon: William Smith, 1843, original hand coloring\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003e11 1\/2 x 8 3\/4 in. (sheet)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions: \u003c\/b\u003eExcellent Condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA bright and wonderfully decorative set of prints from Mrs. Loudon’s celebrated \u003cem data-start=\"80\" data-end=\"103\"\u003eLadies’ Flower Garden\u003c\/em\u003e. Created both as an instructive guide for the cultivated nineteenth-century woman and as a source of visual delight, the plates beautifully fulfill both purposes. Delicately lithographed and skillfully hand-colored, the flowers are arranged in graceful, richly composed bouquets. These prints remain fine examples of the exceptional artistry and craftsmanship of nineteenth-century botanical illustration.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48080902815898,"sku":null,"price":225.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/LoudonPl59c.jpg?v=1779120621"},{"product_id":"plate-61","title":"Plate 61","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist:\u003c\/b\u003e Jane Wells Loudon\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium: \u003c\/b\u003eLithograph- By Day \u0026amp; Haghe\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003eLondon: William Smith, 1843, original hand coloring\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003e11 1\/2 x 8 3\/4 in. (sheet)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions: \u003c\/b\u003eExcellent Condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA bright and wonderfully decorative set of prints from Mrs. Loudon’s celebrated \u003cem data-start=\"80\" data-end=\"103\"\u003eLadies’ Flower Garden\u003c\/em\u003e. Created both as an instructive guide for the cultivated nineteenth-century woman and as a source of visual delight, the plates beautifully fulfill both purposes. Delicately lithographed and skillfully hand-colored, the flowers are arranged in graceful, richly composed bouquets. These prints remain fine examples of the exceptional artistry and craftsmanship of nineteenth-century botanical illustration.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48080904159386,"sku":null,"price":225.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/LoudonPl61c.jpg?v=1779120841"},{"product_id":"reading-terminal-market-street-looking-west-philadelphia","title":"[Reading Terminal Market Street Looking West, Philadelphia]","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist: \u003c\/b\u003eSalvatore Pinto\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium:\u003c\/b\u003e Etching- By Salvatore Pinto\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003ePhiladelphia: Philip Paravano,1980-2000, restrike from original 1935 plate\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003eApprox. 13 3\/4 x 10 1\/4 in. (sheet)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions: \u003c\/b\u003eExcellent Condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"0\" data-end=\"386\"\u003eBorn in Salerno, Italy, Salvatore Pinto (1905–1966) became an important figure in the Philadelphia art community. Along with his younger brothers, Angelo and Biagio, who also pursued artistic careers, Pinto studied at the Pennsylvania Academy of the Fine Arts and was active in organizations including the Water Color Club, The Print Club, The Art Alliance, and the Barnes Foundation.\u003c\/p\u003e\n\u003cp data-start=\"388\" data-end=\"684\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eIn addition to producing etchings such as this, Pinto worked across a wide range of media, creating wood engravings, murals, and drawings. He also designed sets and costumes for the Philadelphia Ballet and worked as a photographer for Curtis Publishing Company and in the motion picture industry.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48080975626394,"sku":null,"price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/PintoReadingTerminalWestc.jpg?v=1779122098"},{"product_id":"adelphi-theatre-broad-cherry-streets-philadelphia","title":"[Adelphi Theatre Broad \u0026 Cherry Streets, Philadelphia]","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist: \u003c\/b\u003eSalvatore Pinto\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium:\u003c\/b\u003e Etching- By Salvatore Pinto\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003ePhiladelphia: Philip Paravano,1980-2000, restrike from original 1935 plate\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003eApprox. 14 1\/2 x 14 1\/2 in. (sheet)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions: \u003c\/b\u003eExcellent Condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"0\" data-end=\"386\"\u003eBorn in Salerno, Italy, Salvatore Pinto (1905–1966) became an important figure in the Philadelphia art community. Along with his younger brothers, Angelo and Biagio, who also pursued artistic careers, Pinto studied at the Pennsylvania Academy of the Fine Arts and was active in organizations including the Water Color Club, The Print Club, The Art Alliance, and the Barnes Foundation.\u003c\/p\u003e\n\u003cp data-start=\"388\" data-end=\"684\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eIn addition to producing etchings such as this, Pinto worked across a wide range of media, creating wood engravings, murals, and drawings. He also designed sets and costumes for the Philadelphia Ballet and worked as a photographer for Curtis Publishing Company and in the motion picture industry.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48080991781018,"sku":null,"price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/PintoAdelphiTheaterc.jpg?v=1779123170"},{"product_id":"independence-hall-philadelphia","title":"Independence Hall [Philadelphia]","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist:\u003c\/b\u003e Theo Ball White\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium: \u003c\/b\u003eLithograph on woven paper- By Theo Ball White\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003eNo Date, signed in pencil by artist\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003e24 x 16 in. (sheet)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions: \u003c\/b\u003eExcellent Condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eDiscover the striking work of \u003c\/span\u003e\u003cstrong\u003eTheo Ballou White\u003c\/strong\u003e\u003cspan\u003e, a prolific Philadelphia-born artist and architect whose lithographs capture the soul of America's great cities. Trained in Philadelphia and later based in Norfolk, Virginia, White brought an architect's precision and an artist's eye to every print he created.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA distinguished voice of the \u003c\/span\u003e\u003cstrong\u003eAmerican Urban School of the 1930s and 1940s\u003c\/strong\u003e\u003cspan\u003e, White produced a remarkable body of architectural lithographs depicting Philadelphia landmarks and scenes from across the United States. His prints are prized by collectors for their bold composition, historical significance, and masterful draftsmanship — a rare blend of fine art and architectural documentation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhy collect Theo Ballou White:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAuthentic original lithographs from a recognized early-20th-century American master\u003c\/li\u003e\n\u003cli\u003eRich architectural detail reflecting his formal training as an architect\u003c\/li\u003e\n\u003cli\u003eIconic Urban School aesthetic — increasingly sought after at auction\u003c\/li\u003e\n\u003cli\u003eA lasting investment in American art history\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48081174691994,"sku":null,"price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/WhiteIndependenceHallc.jpg?v=1779124352"},{"product_id":"plate-58","title":"Plate 58","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist:\u003c\/b\u003e Jane Wells Loudon\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium: \u003c\/b\u003eLithograph- By Day \u0026amp; Haghe\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003eLondon: William Smith, 1843, original hand coloring\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003e11 1\/2 x 8 3\/4 in. (sheet)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions: \u003c\/b\u003eExcellent Condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA bright and wonderfully decorative set of prints from Mrs. Loudon’s celebrated \u003cem data-start=\"80\" data-end=\"103\"\u003eLadies’ Flower Garden\u003c\/em\u003e. Created both as an instructive guide for the cultivated nineteenth-century woman and as a source of visual delight, the plates beautifully fulfill both purposes. Delicately lithographed and skillfully hand-colored, the flowers are arranged in graceful, richly composed bouquets. These prints remain fine examples of the exceptional artistry and craftsmanship of nineteenth-century botanical illustration.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48081219125402,"sku":null,"price":225.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/LoudonPl58c.jpg?v=1779125767"},{"product_id":"protected-steel-cruiser-philadelphia-united-states-navy","title":"Protected Steel Cruiser Philadelphia, United States Navy","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist: \u003c\/b\u003eCurrier \u0026amp; Ives\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium:\u003c\/b\u003e Chromolithograph- By Currier \u0026amp; Ives\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003eNew York: 1893, medium folio, C: 4964\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003e11 1\/2 x 15 3\/4 in. (sheet), 16 1\/2 x 20 1\/2 in. (mat)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions: \u003c\/b\u003eGood Condition- Tear in left side of print going into image, expertly repaired\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOwn a Piece of 19th-Century America — Original Currier \u0026amp; Ives Prints (1834–1907)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor over seventy years, the legendary firm of \u003c\/span\u003e\u003cstrong\u003eNathaniel Currier\u003c\/strong\u003e\u003cspan\u003e and later \u003c\/span\u003e\u003cstrong\u003eCurrier \u0026amp; Ives\u003c\/strong\u003e\u003cspan\u003e defined how America saw itself. As the nation's most successful popular printmakers, they issued more than \u003c\/span\u003e\u003cstrong\u003e8,000 different images\u003c\/strong\u003e\u003cspan\u003e — each one a window into the life, landscape, and spirit of a rapidly growing nation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTwo Remarkable Categories, One Unmatched Legacy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e\"Rush\" Prints\u003c\/strong\u003e\u003cspan\u003e — Swiftly produced to bring news of elections, disasters, and historic events to a hungry public, often before newspapers could illustrate them.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\"Stock\" Prints\u003c\/strong\u003e\u003cspan\u003e — Beautifully composed scenes of city views, sporting life, domestic scenes, religion, and entertainment that hung in parlors across the country.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWhy Collect Currier \u0026amp; Ives Today?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrue American classics\u003c\/strong\u003e\u003cspan\u003e — Their images have become the visual shorthand for 19th-century American life\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAccessible to every collector\u003c\/strong\u003e\u003cspan\u003e — From small folio prints (originally ~20 cents) to large, finely worked impressions ($1–$3 in their day), there is a Currier \u0026amp; Ives for every level of collecting\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHistorical investment\u003c\/strong\u003e\u003cspan\u003e — These prints documented a nation's identity with unmatched business acumen and artistic instinct\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProvenance you can trust\u003c\/strong\u003e\u003cspan\u003e — The firm knew exactly what the American public wanted, and their instincts made them the dominant print publisher of their era\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eTheir images captured the life and times of nineteenth-century America with clarity, warmth, and ambition. Today, they remain as collectible and culturally significant as ever.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48081455415450,"sku":null,"price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/Currier_IvesSteelCruiser.jpg?v=1779127042"},{"product_id":"the-wissahickon-1830-philadelphia","title":"The Wissahickon, 1830 [Philadelphia]","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist: \u003c\/b\u003eJoseph P. Sims\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium: \u003c\/b\u003eLithograph- By Joseph P. Sims\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003e1942, signed and dated in pencil by artist\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003e9 3\/4 x 13 3\/8 in. (sheet), 15 3\/4 x 19 1\/2 in. (mat)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions: \u003c\/b\u003eExcellent Condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003ePresenting the distinguished work of \u003c\/span\u003e\u003cstrong\u003eJoseph Sims\u003c\/strong\u003e\u003cspan\u003e, a Philadelphia-born architect, printmaker, and scholar whose lithographs stand among the finest achievements of the 1930s–1940s American Urban School.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEducated at the \u003c\/span\u003e\u003cstrong\u003eUniversity of Pennsylvania\u003c\/strong\u003e\u003cspan\u003e and a member of the \u003c\/span\u003e\u003cstrong\u003eAmerican Institute of Architects\u003c\/strong\u003e\u003cspan\u003e and the \u003c\/span\u003e\u003cstrong\u003ePhiladelphia Print Club\u003c\/strong\u003e\u003cspan\u003e, Sims brought rare authority to his art. His architectural background shaped every print — his trained eye isolates and elevates the most captivating structural details, transforming buildings into portraits of craftsmanship.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSims exhibited alongside the \u003c\/span\u003e\u003cstrong\u003eSouthern Print Makers in 1942\u003c\/strong\u003e\u003cspan\u003e, and his work resides in prestigious permanent collections including the \u003c\/span\u003e\u003cstrong\u003eState House in Philadelphia\u003c\/strong\u003e\u003cspan\u003e, the \u003c\/span\u003e\u003cstrong\u003eLibrary of Congress\u003c\/strong\u003e\u003cspan\u003e, and public libraries across the country. He also co-authored \u003c\/span\u003e\u003cem\u003eOld Philadelphia Colonial Details\u003c\/em\u003e\u003cspan\u003e (1914) and created celebrated decorative, historical, and animal maps.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat You'll Find:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eArchitectural views of Philadelphia and key American regions\u003c\/li\u003e\n\u003cli\u003eHistorical and decorative maps\u003c\/li\u003e\n\u003cli\u003ePrints distinguished by compositional precision and period detail\u003c\/li\u003e\n\u003cli\u003eWorks from a documented, academically credentialed artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eEach lithograph reflects the discipline of Sims's architectural training — balanced, detailed, and historically resonant.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48081473044634,"sku":null,"price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/SimsWissahickonc.jpg?v=1779130030"},{"product_id":"free-library-logan-circle-philadelphia","title":"Free Library, Logan Circle [Philadelphia]","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist: \u003c\/b\u003eJoseph Jackson\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium: \u003c\/b\u003eLithograph- By Joseph Jackson\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details:\u003c\/b\u003e Ca. 1930, signed in pencil by artist\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003e12 3\/4 x 19 in. (sheet), 16 x 20 in. (mat)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions: \u003c\/b\u003eExcellent Condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eDiscover the remarkable work of \u003c\/span\u003e\u003cstrong\u003eJoseph Jackson\u003c\/strong\u003e\u003cspan\u003e, a native Philadelphia architect, lithographer, and distinguished scholar whose 1927–28 suite of Philadelphia views captures a pivotal moment in American urban history.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA graduate of the \u003c\/span\u003e\u003cstrong\u003ePennsylvania Academy of the Fine Arts\u003c\/strong\u003e\u003cspan\u003e and the \u003c\/span\u003e\u003cstrong\u003eSpring Garden Institute\u003c\/strong\u003e\u003cspan\u003e, Jackson was a respected member of the \u003c\/span\u003e\u003cstrong\u003eAmerican Institute of Architects\u003c\/strong\u003e\u003cspan\u003e, the \u003c\/span\u003e\u003cstrong\u003eAmerican Historical Association\u003c\/strong\u003e\u003cspan\u003e, and the \u003c\/span\u003e\u003cstrong\u003eCity Historical Society of Philadelphia\u003c\/strong\u003e\u003cspan\u003e. His authority as both artist and historian is reflected in his numerous publications,  including \u003c\/span\u003e\u003cem\u003eLithography in Philadelphia\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003eEarly Philadelphia Architects and Engineers\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003eMarket Street, Philadelphia\u003c\/em\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cem\u003ePennsylvania Architecture\u003c\/em\u003e\u003cspan\u003e (editor).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHis works are held in the permanent collections of \u003c\/span\u003e\u003cstrong\u003eThe Free Library of Philadelphia\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003eThe Historical Society of Pennsylvania\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe 1927–28 Philadelphia Suite:\u003c\/strong\u003e\u003cspan\u003e In 1927–28, Jackson produced a masterful series of lithographs depicting Philadelphia at a crossroads. Exhibited in \u003c\/span\u003e\u003cstrong\u003eThe Print Club of Philadelphia's \"First Exhibition of Contemporary American Lithography\" (February 1929)\u003c\/strong\u003e\u003cspan\u003e, these prints offer a striking visual dialogue between the city's intimate European-scale streetscapes and the bold, rising architecture of the modern century.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhy Collect Joseph Jackson:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eImpeccable scholarly and institutional provenance\u003c\/li\u003e\n\u003cli\u003eDocumented exhibition history at a landmark 1929 printmaking exhibition\u003c\/li\u003e\n\u003cli\u003eArchitectural precision trained at PAFA and Spring Garden Institute\u003c\/li\u003e\n\u003cli\u003eA vivid record of Philadelphia's transformation in the early 20th century\u003c\/li\u003e\n\u003cli\u003eWorks held in respected public and historical collections\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48081510662298,"sku":null,"price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/JacksonFreeLibraryc.jpg?v=1779131217"},{"product_id":"teams-at-the-plough","title":"[Teams at the Plough]","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist: \u003c\/b\u003e\u003cspan\u003eHenry William Banks Davis\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium: \u003c\/b\u003eEngraving- By \u003cspan\u003eGeorge Zofei\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003e\u003cspan\u003eLondon: Henry Graves \u0026amp; Co., March 1st, 1873\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003e\u003cspan\u003e20 5\/8 x 41 1\/4 in. (sheet)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions: \u003c\/b\u003eGood Condition- \u003cspan\u003eLight foxing in sky, \u003c\/span\u003e\u003cspan\u003epossibly due to adhesive. \u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA distinguished work by the esteemed British Royal Academician Henry William Banks Davis, celebrated for his masterful pastoral landscapes and sensitive portrayals of farm animals.\u003c\/p\u003e\n\u003cp\u003eThis handsome image captures the very essence of 19th-century rural England: powerful draft horses straining at the plow in the foreground, their muscles and determination rendered with the keen observation that only a true animal painter could achieve. To the right, young colts gambol in innocent frolic—yet even their play carries narrative weight, for these same colts will one day take their place in the harness, continuing the timeless cycle of agricultural life.\u003c\/p\u003e\n\u003cp\u003eDavis's Royal Academy credentials ensure enduring scholarly recognition, while his gift for infusing working animal subjects with dignity and spirit makes his landscapes perpetually sought after. The composition balances grandeur with intimacy: the sweep of the cultivated earth and the sky beyond give classical landscape structure, while the individualized horses—both the seasoned workers and the untrained young stock—invite close, rewarding contemplation.\u003c\/p\u003e\n\u003cp\u003eA quintessential Victorian pastoral, preserved at the moment when traditional horse-drawn agriculture still defined the British countryside.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48090966687898,"sku":null,"price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/davisploughhorsesc-1.jpg?v=1779232973"},{"product_id":"chart-for-accurately-determining-the-age-of-a-horse-from-6-months-to-29-years","title":"“Chart for Accurately Determining the Age of a Horse from 6 months to 29 Years\"","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist: \u003c\/b\u003eUnattributed\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium: \u003c\/b\u003e\u003cspan\u003e Wood \u003c\/span\u003e\u003cspan\u003eengravings on thin bank note paper.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003e\u003cspan\u003eLouis:  N.D Thompson \u0026amp; Co., 1880\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003e\u003cspan\u003e22 x 33 ½ in. (sheet)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions: \u003c\/b\u003eVery Good Condition- \u003cspan\u003eMinor stain in image.  With folds \u003c\/span\u003e\u003cspan\u003eas originally issued.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePresenting an extraordinary fold-out supplement from \u003cem\u003eThe Illustrated Stock Doctor and Live Stock Encyclopedia\u003c\/em\u003e, published in St. Louis by N.D. Thompson \u0026amp; Co. in \u003cstrong\u003e1880 \u003c\/strong\u003e— a rare surviving artifact from the golden age of American agricultural and veterinary publishing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat Makes This Exceptional\u003c\/strong\u003e\u003cspan\u003e This magnificent fold-out plate contains \u003c\/span\u003e\u003cstrong\u003enearly 50 separate illustrations\u003c\/strong\u003e\u003cspan\u003e meticulously detailing the progression of tooth development in horses — an indispensable reference for veterinarians, farriers, breeders, and stockmen of the era. Each engraving demonstrates the remarkable precision of 19th-century wood engraving craftsmanship, capturing the anatomical subtleties that governed equine health, age assessment, and valuation in an agricultural economy dependent on horse power.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePrinted on delicate bank note paper — the same substrate reserved for currency and high-quality technical illustration — this piece reflects the seriousness with which publishers and the veterinary profession approached livestock care. The original folds attest to its authentic provenance as a working reference, designed to be tucked into the encyclopedia and consulted in barns, stables, and veterinary offices across the American frontier.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFor the Collector \u0026amp; Connoisseur\u003c\/strong\u003e\u003cspan\u003e Whether you specialize in \u003c\/span\u003e\u003cstrong\u003eequine art, veterinary medicine, agricultural history, or 19th-century American illustration\u003c\/strong\u003e\u003cspan\u003e, this piece offers uncommon visual richness and historical depth. The sheer density of imagery — nearly fifty discrete engravings in a single, monumental sheet — makes it a standout display piece and a conversation-worthy addition to any collection devoted to the horse in American life.\u003c\/span\u003e\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48090997424282,"sku":null,"price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/horseteeththmb.jpg?v=1779233562"},{"product_id":"n-365","title":"N. 365","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist: \u003c\/b\u003eJohann Wilhelm Weinmann\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium:\u003c\/b\u003e \u003cspan\u003eEtching and mezzotint- By Johann J. Haid and Seuter\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003e\u003cspan\u003eRatisbon: Hieronymum Lenzium, 1739,  printed with colors and finished by hand\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003eApprox. 15 1\/4 x 9 3\/4 in. (sheet), 18 x 13 3\/4 in. (mat)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions: \u003c\/b\u003eVery Good Condition- s\u003cspan\u003eome minor stains in margins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAmong the most celebrated botanical works of the eighteenth century, Johann Weinmann's extraordinary series of fruit and flower prints stands as a remarkable achievement in both art and printmaking technology. Issued in the first part of the 1700s, this diverse and comprehensive collection represents one of the earliest and most ambitious attempts at color reproduction in botanical illustration.\u003c\/p\u003e\n\u003cp\u003eEach plate is a masterwork of technical innovation. The copper plates were meticulously prepared with finely etched outlines and rich mezzotinted interior tones, creating a remarkable depth and luminosity. The images were then printed in color directly from the plates—a pioneering technique for its era, and each impression was subsequently enhanced with delicate hand coloring, ensuring that no two prints are exactly alike. The result is a vibrant, almost painterly quality that brings these botanical subjects to life with astonishing freshness.\u003c\/p\u003e\n\u003cp\u003eA large number of the original drawings were executed by Georg D. Ehret, widely regarded as one of the greatest botanical artists of the eighteenth century. His keen observational eye and elegant compositional sense are evident throughout, rendering each flower and fruit with scientific accuracy and artistic grace.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48091099070618,"sku":null,"price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/weinmann365c.jpg?v=1779236980"},{"product_id":"n-294","title":"N. 294","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist: \u003c\/b\u003eJohann Wilhelm Weinmann\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium:\u003c\/b\u003e \u003cspan\u003eEtching and mezzotint- By Johann J. Haid and Seuter\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003e\u003cspan\u003eRatisbon: Hieronymum Lenzium, 1739,  printed with colors and finished by hand\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003eApprox. 15 1\/4 x 9 3\/4 in. (sheet), 18 x 13 3\/4 in. (mat)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions: \u003c\/b\u003eVery Good Condition- s\u003cspan\u003eome minor stains in margins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAmong the most celebrated botanical works of the eighteenth century, Johann Weinmann's extraordinary series of fruit and flower prints stands as a remarkable achievement in both art and printmaking technology. Issued in the first part of the 1700s, this diverse and comprehensive collection represents one of the earliest and most ambitious attempts at color reproduction in botanical illustration.\u003c\/p\u003e\n\u003cp\u003eEach plate is a masterwork of technical innovation. The copper plates were meticulously prepared with finely etched outlines and rich mezzotinted interior tones, creating a remarkable depth and luminosity. The images were then printed in color directly from the plates—a pioneering technique for its era, and each impression was subsequently enhanced with delicate hand coloring, ensuring that no two prints are exactly alike. The result is a vibrant, almost painterly quality that brings these botanical subjects to life with astonishing freshness.\u003c\/p\u003e\n\u003cp\u003eA large number of the original drawings were executed by Georg D. Ehret, widely regarded as one of the greatest botanical artists of the eighteenth century. His keen observational eye and elegant compositional sense are evident throughout, rendering each flower and fruit with scientific accuracy and artistic grace.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48091099103386,"sku":null,"price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/weinmann294c.jpg?v=1779237544"},{"product_id":"plate-20-brooklyn-new-brooklyn-old","title":"Plate 20- USS Brooklyn (New) \u0026 USS Brooklyn (Old)","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist: \u003c\/b\u003eFred S. Cozzens\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium: \u003c\/b\u003e\u003cspan\u003eChromolithograph\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003e\u003cspan\u003eHartford: American Publishing Company, 1892-1897\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements:\u003c\/b\u003e Approx. 10 1\/2 x 14 1\/2 in. (sheet), 13 x 17 1\/2 in. (mat)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions: \u003c\/b\u003eExcellent Condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFrederic S. Cozzens (1856–1928)\u003c\/strong\u003e\u003cspan\u003e — widely regarded as one of the finest American marine illustrators of the 19th century.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSketching marine scenes as early as 1868, Cozzens became a prolific contributor to \u003c\/span\u003e\u003cem\u003eHarper's Weekly\u003c\/em\u003e\u003cspan\u003e, the \u003c\/span\u003e\u003cem\u003eDaily Graphic\u003c\/em\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cem\u003eLeslie's Magazine\u003c\/em\u003e\u003cspan\u003e. Though celebrated for his yachting imagery, his true mastery extended across every class of vessel, from graceful sailing craft to the formidable ironclads of a modernizing navy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese are choice examples from his celebrated series \u003c\/span\u003e\u003cem\u003eOur Navy, Its Growth and Achievements\u003c\/em\u003e\u003cspan\u003e (1892), capturing the American fleet at the pivotal turn of the century. Each print depicts identified naval vessels , in harbor and on the open sea, rendered with the precision and authority that made Cozzens the era's preeminent maritime artist.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe meticulous detail lavished on both historic sailing ships and revolutionary steam-powered ironclads makes these prints as historically significant as they are visually striking. A superb acquisition for collectors of naval history, maritime art, and 19th-century American illustration.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48091308720282,"sku":null,"price":225.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/cozzens20c.jpg?v=1779237828"},{"product_id":"plate-23-uss-texas-uss-olympia-uss-minneapolis","title":"Plate 23- USS Texas, USS Olympia \u0026 USS Minneapolis","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist: \u003c\/b\u003eFred S. Cozzens\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium: \u003c\/b\u003e\u003cspan\u003eChromolithograph\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003e\u003cspan\u003eHartford: American Publishing Company, 1892-1897\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements:\u003c\/b\u003e Approx. 10 1\/2 x 14 1\/2 in. (sheet), 13 x 17 1\/2 in. (mat)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions: \u003c\/b\u003eExcellent Condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFrederic S. Cozzens (1856–1928)\u003c\/strong\u003e\u003cspan\u003e — widely regarded as one of the finest American marine illustrators of the 19th century.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSketching marine scenes as early as 1868, Cozzens became a prolific contributor to \u003c\/span\u003e\u003cem\u003eHarper's Weekly\u003c\/em\u003e\u003cspan\u003e, the \u003c\/span\u003e\u003cem\u003eDaily Graphic\u003c\/em\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cem\u003eLeslie's Magazine\u003c\/em\u003e\u003cspan\u003e. Though celebrated for his yachting imagery, his true mastery extended across every class of vessel, from graceful sailing craft to the formidable ironclads of a modernizing navy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese are choice examples from his celebrated series \u003c\/span\u003e\u003cem\u003eOur Navy, Its Growth and Achievements\u003c\/em\u003e\u003cspan\u003e (1892), capturing the American fleet at the pivotal turn of the century. Each print depicts identified naval vessels , in harbor and on the open sea, rendered with the precision and authority that made Cozzens the era's preeminent maritime artist.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe meticulous detail lavished on both historic sailing ships and revolutionary steam-powered ironclads makes these prints as historically significant as they are visually striking. A superb acquisition for collectors of naval history, maritime art, and 19th-century American illustration.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48091308818586,"sku":null,"price":225.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/cozzens23c.jpg?v=1779238364"},{"product_id":"eastern-point-gloucester-ma","title":"Eastern Point  [Gloucester, MA]","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist: \u003c\/b\u003eGeorge A. Bradshaw\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium: \u003c\/b\u003eEtching- By George A. Bradshaw\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003eCa. 1930, signed in pencil by artist\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003e7 x 11 in. (sheet), 16 x 20 in. (mat)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions:\u003c\/b\u003e Excellent Condition\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48095524552858,"sku":null,"price":325.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/bradshaweasternpt.jpg?v=1779319820"},{"product_id":"the-old-revenge-by-david-young-cameron","title":"The Old Revenge- By David Young Cameron","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist: \u003c\/b\u003eDavid Young Cameron\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium: \u003c\/b\u003eEtching- By David Young Cameron\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003e1889, State II (Large Plate), signed in pencil by artist\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003e10 3\/4 x 16 1\/4 in. (sheet), 16 x 20 1\/4 in. (mat)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions: \u003c\/b\u003eVery Good Condition- \u003cspan\u003eTrimmed to \u003c\/span\u003e\u003cspan\u003eplate except for pencil signature in lower right.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSir David Young Cameron, R.A., R.S.A. (1865–1945)\u003c\/strong\u003e\u003cspan\u003e — A towering figure in British printmaking, Cameron stands among the most accomplished etchers of the late 19th and early 20th centuries. Trained at the Edinburgh School of Art, he rose to become Associate Engraver at the Royal Academy in 1911 and full Academician in 1920 — a rare distinction that underscores his mastery.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCameron's landscapes and architectural views possess a profound, contemplative beauty. Though his scenes are often unpopulated, the influence of humanity is deeply felt, in the weathered stone of a cathedral nave, the soaring vault of a Gothic interior, or the quiet dignity of the Scottish countryside. His native Scotland's somber, romantic grandeur permeates every plate, rendered in the rich, dark tonalities that became his signature.\u003c\/p\u003e\n\u003cp\u003eAmong his most celebrated subjects are his magisterial views of British architecture and haunting interior cathedral scenes, works that rival the great architectural renderings of the past. His celebrated gargoyle etchings, direct homages to the French master Charles Meryon, demonstrate both his technical virtuosity and his deep reverence for the etching tradition.\u003c\/p\u003e\n\u003cp\u003eBetween 1892 and 1909 alone, Cameron produced an astonishing five hundred plates, each born of restless travel through Britain and the Continent in search of subjects that stirred his romantic spirit. This extraordinary output, combined with his lifetime of achievement, makes his work essential for any serious collection of British etching, architectural art, or Scottish landscape.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48095599034522,"sku":null,"price":375.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/cameronr50.jpg?v=1779321910"},{"product_id":"seaweed-harvest-by-edmund-blampied","title":"Seaweed Harvest- By Edmund Blampied","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist:\u003c\/b\u003e Edmund Blampied\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium: \u003c\/b\u003eDrypoint Etching- By Edmund Blampied\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details:\u003c\/b\u003e 1937, signed in ink (faded) by artist\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003e15 1\/2 x 19 3\/4 in. (sheet), 17 1\/2 x 21 in. (mat)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions:\u003c\/b\u003e Very Good Condition- Faint mat burns\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eEdmund Blampied\u003c\/strong\u003e (1886–1966) — One of the Most Beloved British Printmakers of the 20th Century\u003c\/p\u003e\n\u003cp\u003eBorn the son of a Jersey farmer, Blampied trained in London but returned to the Channel Islands, where he spent his life capturing the character and warmth of rural life — even enduring the WWII German occupation of Jersey. Working primarily in etching, drypoint, and lithography, he created prints brimming with humor, humanity, and an unmistakable sense of place. His genre scenes and animal studies are instantly recognizable: cattle in misty lanes, farmhands at pub doors, horses in verdant pastures — all rendered with masterful line work and a storyteller's eye. Blampied's ability to infuse everyday moments with charm and narrative depth has made his work highly sought after by collectors worldwide. These are exceptional examples from a singular talent — perfect for collections of British printmaking, modern etching, or regional art with soul. Acquire a piece of Jersey's artistic heritage today.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48122478919834,"sku":null,"price":750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/blamseac.jpg?v=1779634229"},{"product_id":"n-457-by-johann-weinmann","title":"N. 457- By Johann Weinmann","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist: \u003c\/b\u003eJohann Wilhelm Weinmann\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium:\u003c\/b\u003e \u003cspan\u003eEtching and mezzotint- By Johann J. Haid and Seuter\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003e\u003cspan\u003eRatisbon: Hieronymum Lenzium, 1739,  printed with colors and finished by hand\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003eApprox. 15 1\/4 x 9 3\/4 in. (sheet), 18 x 13 3\/4 in. (mat)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions: \u003c\/b\u003eVery Good Condition- s\u003cspan\u003eome minor stains in margins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAmong the most celebrated botanical works of the eighteenth century, Johann Weinmann's extraordinary series of fruit and flower prints stands as a remarkable achievement in both art and printmaking technology. Issued in the first part of the 1700s, this diverse and comprehensive collection represents one of the earliest and most ambitious attempts at color reproduction in botanical illustration.\u003c\/p\u003e\n\u003cp\u003eEach plate is a masterwork of technical innovation. The copper plates were meticulously prepared with finely etched outlines and rich mezzotinted interior tones, creating a remarkable depth and luminosity. The images were then printed in color directly from the plates—a pioneering technique for its era, and each impression was subsequently enhanced with delicate hand coloring, ensuring that no two prints are exactly alike. The result is a vibrant, almost painterly quality that brings these botanical subjects to life with astonishing freshness.\u003c\/p\u003e\n\u003cp\u003eA large number of the original drawings were executed by Georg D. Ehret, widely regarded as one of the greatest botanical artists of the eighteenth century. His keen observational eye and elegant compositional sense are evident throughout, rendering each flower and fruit with scientific accuracy and artistic grace.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48122481082522,"sku":null,"price":155.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/Weinmann457c.jpg?v=1779635279"},{"product_id":"n-482-by-johann-weinmann","title":"N. 482- By Johann Weinmann","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist: \u003c\/b\u003eJohann Wilhelm Weinmann\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium:\u003c\/b\u003e \u003cspan\u003eEtching and mezzotint- By Johann J. Haid and Seuter\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003e\u003cspan\u003eRatisbon: Hieronymum Lenzium, 1739,  printed with colors and finished by hand\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003eApprox. 15 1\/4 x 9 3\/4 in. (sheet), 18 x 13 3\/4 in. (mat)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions: \u003c\/b\u003eVery Good Condition- s\u003cspan\u003eome minor stains in margins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAmong the most celebrated botanical works of the eighteenth century, Johann Weinmann's extraordinary series of fruit and flower prints stands as a remarkable achievement in both art and printmaking technology. Issued in the first part of the 1700s, this diverse and comprehensive collection represents one of the earliest and most ambitious attempts at color reproduction in botanical illustration.\u003c\/p\u003e\n\u003cp\u003eEach plate is a masterwork of technical innovation. The copper plates were meticulously prepared with finely etched outlines and rich mezzotinted interior tones, creating a remarkable depth and luminosity. The images were then printed in color directly from the plates—a pioneering technique for its era, and each impression was subsequently enhanced with delicate hand coloring, ensuring that no two prints are exactly alike. The result is a vibrant, almost painterly quality that brings these botanical subjects to life with astonishing freshness.\u003c\/p\u003e\n\u003cp\u003eA large number of the original drawings were executed by Georg D. Ehret, widely regarded as one of the greatest botanical artists of the eighteenth century. His keen observational eye and elegant compositional sense are evident throughout, rendering each flower and fruit with scientific accuracy and artistic grace.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48122517487770,"sku":null,"price":165.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/Weinmann482c.jpg?v=1779635797"},{"product_id":"the-battle-of-the-boyne-by-benjamin-west","title":"The Battle of the Boyne- By Benjamin West","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist: \u003c\/b\u003eBenjamin West\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium:\u003c\/b\u003e Engraving- By John Hall\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details:\u003c\/b\u003e Lodon: B. West, J. Hall and W. Woollett, 1784, original hand coloring\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003eApprox. 19 3\/4 x 25 1\/2 in. (sheet), 23 3\/4 x 29 in. (mat)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions: \u003c\/b\u003eExcellent Condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBenjamin West (1738–1820) — The Battle of the Boyne\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA landmark print after one of the most important history paintings by America's first internationally celebrated artist.\u003c\/p\u003e\n\u003cp\u003eCommissioned by Richard, Lord Grosvenor, and published in 1784 with a dedication to George, Prince of Wales, this engraving reproduces Benjamin West's monumental canvas commemorating the decisive victory of William III over the deposed James II at the River Boyne on 1 July 1690. As Historical Painter to George III, West understood precisely how to celebrate a triumph of Protestant succession—his composition places William of Orange, astride his famous white horse, at the very center of the action, surrounded by Prince George of Denmark, the Duke of Ormond, and the wounded Duke of Schomberg being carried from the field. In the distant background, the small figure tumbling from his horse is the Reverend George Walker, Protestant Rector of Donaghmore—a poignant reminder of the religious stakes that defined the conflict.\u003c\/p\u003e\n\u003cp\u003eNote that James II himself is deliberately absent; he remained away from the battlefield, and West's omission underscores the painting's function as a memorial to Protestant deliverance rather than a documentary record of both sides. Ever since that July day, the color orange and the Twelfth of July have marked the identity of Irish Protestantism—making this image as culturally resonant today as it was politically charged in 1784.\u003c\/p\u003e\n\u003cp\u003eThe print's provenance is impeccable. West painted the original for Lord Grosvenor, and it has descended through that family to the present day. The 1784 publication was carefully timed and dedicated to the future George IV, cementing its status as a work of both artistic and courtly significance.\u003c\/p\u003e\n\u003cp\u003eFor collectors of British historical prints, Irish history, or the work of Benjamin West—who transformed history painting in London and trained a generation of American artists—this is a rare opportunity to acquire a print that documents not only a pivotal military engagement but the visual politics of eighteenth-century Britain.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48122555924634,"sku":null,"price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/westboynethmb.jpg?v=1779637479"},{"product_id":"the-continence-of-scipio-by-richard-earlom","title":"The Continence of Scipio- By Richard Earlom","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist:\u003c\/b\u003e Richard Earlom, after Anthony van Dyck\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium:\u003c\/b\u003e Engraving- By J. Miller\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details:\u003c\/b\u003e London: John Boydell, 1766\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003e18 3\/4 x 23 1\/2 in. (sheet), 23 1\/2 x 28 1\/4 in. (mat)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions:\u003c\/b\u003e Excellent Condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eAn exceptional eighteenth-century image celebrating one of antiquity's most celebrated acts of virtue and mercy. This fine print depicts \u003c\/span\u003e\u003cstrong\u003eScipio Africanus (237–183 B.C.E.)\u003c\/strong\u003e\u003cspan\u003e, the legendary Roman General of the Punic Wars, in his most humanizing moment — the compassionate return of a noble and beautiful Carthaginian maiden to her family.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Scene:\u003c\/strong\u003e\u003cspan\u003e At just twenty-four years old, Scipio stands before the prisoner and her parents, virtuously declining the ransom of golden treasures brought for her release. Not content with mere benevolence, he magnifies his noble act by adding money to her dowry, ensuring she may wed her betrothed with honor. It is a scene of classical restraint, moral grandeur, and the triumph of virtue over conquest — exactly the kind of edifying historical image that dominated enlightened European interiors of the eighteenth century.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhy Collect This:\u003c\/strong\u003e\u003cspan\u003e Images of virtuous figures from antiquity were among the most sought-after prints of the Enlightenment, prized for their ability to elevate both the eye and the moral sensibility of the viewer. This work exemplifies that tradition at its finest — a rare surviving impression that embodies the transformative spirit of late eighteenth-century art.\u003c\/span\u003e\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48122562740378,"sku":null,"price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/earlomscipioc.jpg?v=1779638294"},{"product_id":"battle-of-kenesaw-mountain-by-thure-de-thulstrup","title":"Battle of Kenesaw Mountain- By Thure de Thulstrup","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist:\u003c\/b\u003e Thure de Thulstrup\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium:\u003c\/b\u003e Chromolithograph\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details:\u003c\/b\u003e Boston: American Lithographic Co., ca. 1890\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements:\u003c\/b\u003e Approx. 17 1\/4 x 23 1\/2 in. (sheet)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions:\u003c\/b\u003e Excellent Condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePresenting a stirring depiction of the Battle of Kenesaw Mountain, Georgia, June 27, 1864, the last major engagement between the armies of General William Tecumseh Sherman and General Joseph E. Johnston before the decisive battles for Atlanta. This magnificent chromolithograph was first issued by the esteemed Boston firm of Louis Prang, then later reissued by the American Lithographic Company, attesting to its enduring popularity and historical significance.\u003c\/p\u003e\n\u003cp\u003eThulstrup, born in Sweden, emigrated to Canada in 1872 and the United States in 1873, where he discovered his true vocation as an artist. Though he worked across genres, he found particular renown as one of the foremost illustrators of military scenes in America, bringing dramatic immediacy and meticulous detail to the most pivotal moments of the Civil War.\u003c\/p\u003e\n\u003cp\u003eThis print exemplifies the demanding art of chromolithography at its finest, each color applied through a separate lithographic stone, resulting in a remarkably nuanced and richly layered image. The result is a print of exceptional detail and refined coloration, capturing the smoke, chaos, and grandeur of battle with a clarity that few other printmaking techniques could achieve.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48122917585050,"sku":null,"price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/KennesawMountainc.jpg?v=1779659192"},{"product_id":"battle-of-vicksburg-by-thure-de-thulstrup","title":"Battle of Vicksburg- By Thure de Thulstrup","description":"\u003cul type=\"disc\" style=\"margin-top: 0in;\"\u003e\n\u003cli style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\" class=\"MsoNormal\"\u003e\n\u003cb\u003eArtist:\u003c\/b\u003e Thure de Thulstrup\u003c\/li\u003e\n\u003cli style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\" class=\"MsoNormal\"\u003e\n\u003cb\u003eMedium:\u003c\/b\u003e Chromolithograph\u003c\/li\u003e\n\u003cli style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\" class=\"MsoNormal\"\u003e\n\u003cb\u003ePublish Details:\u003c\/b\u003e Boston: Prang \u0026amp; Co., ca. 1886\u003c\/li\u003e\n\u003cli style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\" class=\"MsoNormal\"\u003e\n\u003cb\u003eMeasurements:\u003c\/b\u003e Approx. 15 x 21 1\/2 in. (sheet)\u003c\/li\u003e\n\u003cli style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\" class=\"MsoNormal\"\u003e\n\u003cb\u003eConditions:\u003c\/b\u003e Good Condition- Small chips in two bottom corners, filed and painted in\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNear the end of the long siege of Vicksburg, Union General M. D. Leggett's Illinois soldiers battled for the Confederate stronghold of Fort Hill. In this image, Thulstrup illustrates the volley of hand grenades and rifle fire exchanged during the long, bloody fighting between equally determined armies on June 25, 1863. With his dramatic portrayal of the flagbearer near the top of the hill, he signals the Union victory. \u003c\/p\u003e\n\u003cp\u003eThulstrup, born in Sweden, emigrated to Canada in 1872 and the United States in 1873, where he discovered his true vocation as an artist. Though he worked across genres, he found particular renown as one of the foremost illustrators of military scenes in America, bringing dramatic immediacy and meticulous detail to the most pivotal moments of the Civil War.\u003c\/p\u003e\n\u003cp\u003eThis print exemplifies the demanding art of chromolithography at its finest, each color applied through a separate lithographic stone, resulting in a remarkably nuanced and richly layered image. The result is a print of exceptional detail and refined coloration, capturing the smoke, chaos, and grandeur of battle with a clarity that few other printmaking techniques could achieve.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48122917617818,"sku":null,"price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/prangvicksburg.jpg?v=1779661022"},{"product_id":"green-pastures-by-george-ford-morris","title":"Green Pastures- By George Ford Morris","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist:\u003c\/b\u003e George Ford Morris\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium:\u003c\/b\u003e Lithograph- By George Ford Morris\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details:\u003c\/b\u003e 1949, later hand coloring\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements:\u003c\/b\u003e 15 x 11 3\/4 in. (sheet)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions:\u003c\/b\u003e Excellent Condition\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48122932002970,"sku":null,"price":325.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/Greenpasturesc.jpg?v=1779661891"}],"url":"https:\/\/jcegallery.com\/collections\/full-collection.oembed?page=2","provider":"JCE Gallery","version":"1.0","type":"link"}