{"title":"Botanicals","description":"","products":[{"product_id":"plate-333-camellia-jenny-lind","title":"Plate 333- Camellia Jenny Lind","description":"\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eAmbroise Verschaffelt \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eMedium: \u003c\/strong\u003eLithograph- By G. Severeyns and L. Stroobant \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublish Details: \u003c\/strong\u003e1851, original hand coloring\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMeasurements: \u003c\/strong\u003eApprox. 9 3\/4 x 6 3\/4 in. (sheet), 14 1\/2 x 11 1\/2  in. (matted)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition: \u003c\/strong\u003eExcellent Condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA beautiful hand-colored lithograph from the celebrated Verschaffelt series on camellia varieties, a landmark work of 19th-century botanical illustration comprising 624 plates published in Ghent between 1848 and 1860. The series was begun by Alexandre Verschaffelt in 1848 and continued by Ambroise Verschaffelt from March 1850 through its completion in 1860.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe plates were drawn by a distinguished group of botanical artists, including B. Leon, A. Lagarde, G. Severeyns, L. Stroobant, and P. Stroobant. Their richly detailed, hand-colored lithographs continue the tradition established by Jung's illustrations for Lorenzo Berlèse's \u003c\/span\u003e\u003cem\u003eIconographie du Genre Camellia\u003c\/em\u003e\u003cspan\u003e, published in Paris from 1839 to 1843.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA handsome example of fine 19th-century horticultural art, suitable for framing and display.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReference: Sitwell, Great Flower Books, p. 161.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48038452953242,"sku":null,"price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/camellia333c.jpg?v=1778980459"},{"product_id":"plate-309-camellia-maichesa-caiega","title":"Plate 309- Camellia Maichesa Caiega","description":"\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eAmbroise Verschaffelt \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eMedium: \u003c\/strong\u003eLithograph- By G. Severeyns and L. Stroobant \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublish Details: \u003c\/strong\u003e1851, original hand coloring\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMeasurements: \u003c\/strong\u003eApprox. 9 3\/4 x 6 3\/4 in. (sheet), 14 1\/2 x 11 1\/2  in. (matted)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition: \u003c\/strong\u003eExcellent Condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA beautiful hand-colored lithograph from the celebrated Verschaffelt series on camellia varieties, a landmark work of 19th-century botanical illustration comprising 624 plates published in Ghent between 1848 and 1860. The series was begun by Alexandre Verschaffelt in 1848 and continued by Ambroise Verschaffelt from March 1850 through its completion in 1860.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe plates were drawn by a distinguished group of botanical artists, including B. Leon, A. Lagarde, G. Severeyns, L. Stroobant, and P. Stroobant. Their richly detailed, hand-colored lithographs continue the tradition established by Jung's illustrations for Lorenzo Berlèse's \u003c\/span\u003e\u003cem\u003eIconographie du Genre Camellia\u003c\/em\u003e\u003cspan\u003e, published in Paris from 1839 to 1843.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA handsome example of fine 19th-century horticultural art, suitable for framing and display.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReference: Sitwell, Great Flower Books, p. 161.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48039490289818,"sku":null,"price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/cam309c_18cdc0a5-7697-421a-b017-4c6e403fe792.jpg?v=1779029550"},{"product_id":"plate-317-camellia-bella-di-pisas","title":"Plate 317- Camellia Bella di Pisas","description":"\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003eAmbroise Verschaffelt \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cstrong\u003eMedium: \u003c\/strong\u003eLithograph- By G. Severeyns and L. Stroobant \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublish Details: \u003c\/strong\u003e1851, Original hand coloring\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMeasurements: \u003c\/strong\u003eApprox. 9 3\/4 x 6 3\/4 in. (sheet), 14 1\/2 x 11 1\/2  in. (matted)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondition: \u003c\/strong\u003eMinor foxing in upper left corner, otherwise Very Good Condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA beautiful hand-colored lithograph from the celebrated Verschaffelt series on camellia varieties, a landmark work of 19th-century botanical illustration comprising 624 plates published in Ghent between 1848 and 1860. The series was begun by Alexandre Verschaffelt in 1848 and continued by Ambroise Verschaffelt from March 1850 through its completion in 1860.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe plates were drawn by a distinguished group of botanical artists, including B. Leon, A. Lagarde, G. Severeyns, L. Stroobant, and P. Stroobant. Their richly detailed, hand-colored lithographs continue the tradition established by Jung's illustrations for Lorenzo Berlèse's \u003c\/span\u003e\u003cem\u003eIconographie du Genre Camellia\u003c\/em\u003e\u003cspan\u003e, published in Paris from 1839 to 1843.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA handsome example of fine 19th-century horticultural art, suitable for framing and display.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReference: Sitwell, Great Flower Books, p. 161.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48039528661146,"sku":null,"price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/cam317c.jpg?v=1779030423"},{"product_id":"plate-8-aquilegia-from-florilegium","title":"Plate 8 \"Aquilegia\" from \"Florilegium\"","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist: \u003c\/b\u003eEmanuel Sweert\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium: \u003c\/b\u003eEngraving- By Anthony Kempner\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003eAmsterdam: 1612, original hand coloring\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003eApprox. 15 3\/4 x 10 in. (sheet), 18 x 13 in. (mat)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good condition- minor foxing in image, typical of prints this old\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"0\" data-end=\"530\"\u003eSweert’s \u003cem data-start=\"9\" data-end=\"22\"\u003eflorilegium\u003c\/em\u003e stands as one of the earliest and most celebrated examples of botanical illustration published in the Netherlands. Issued in 1612 by the Dutch publisher Emanuel Sweerts, the work contains little accompanying text beyond a multilingual catalogue of the illustrated plants in Latin, German, French, and English. As noted by Wilfrid Blunt and William T. Stearn, the publication also functioned as a commercial sales catalogue, advertising plants available for purchase from Sweerts’s shop in Frankfurt-am-Main.\u003c\/p\u003e\n\u003cp data-start=\"532\" data-end=\"1068\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThe vivid and decorative botanical images exemplify the appeal of the seventeenth-century florilegium, a genre devoted more to the beauty and arrangement of flowers than to scientific originality. Although many of the plates were adapted from earlier sources, including Pierre Vallet’s 1608 embroidery pattern book, the compositions remain highly refined and visually engaging. Sweerts’s work therefore reflects the close relationship between natural history, printmaking, commerce, and the decorative arts during the early modern period.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48043911643290,"sku":null,"price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/Sweert8c.webp?v=1779065860"},{"product_id":"plate-34-cistus-sive-helianthemon-cistus-femina-cistus-mas-geranium-flore-albo-genarium-bulbosum-geranium-flore-purpureo-from-florilegium","title":"Plate 34 \"\"Cistus sive Helianthemon, Cistus femina, Cistus mas, Geranium flore albo, Genarium bulbosum, Geranium flore purpureo.\" From \"Florilegium\"","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist: \u003c\/b\u003eEmanuel Sweert\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium: \u003c\/b\u003eEngraving- By Anthony Kempner\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003eAmsterdam: 1612, original hand coloring\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003eApprox. 15 3\/4 x 10 in. (sheet), 18 x 13 in. (mat)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good condition- minor foxing in image, typical of prints this old\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"0\" data-end=\"530\"\u003eSweert’s \u003cem data-start=\"9\" data-end=\"22\"\u003eflorilegium\u003c\/em\u003e stands as one of the earliest and most celebrated examples of botanical illustration published in the Netherlands. Issued in 1612 by the Dutch publisher Emanuel Sweerts, the work contains little accompanying text beyond a multilingual catalogue of the illustrated plants in Latin, German, French, and English. As noted by Wilfrid Blunt and William T. Stearn, the publication also functioned as a commercial sales catalogue, advertising plants available for purchase from Sweerts’s shop in Frankfurt-am-Main.\u003c\/p\u003e\n\u003cp data-start=\"532\" data-end=\"1068\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThe vivid and decorative botanical images exemplify the appeal of the seventeenth-century florilegium, a genre devoted more to the beauty and arrangement of flowers than to scientific originality. Although many of the plates were adapted from earlier sources, including Pierre Vallet’s 1608 embroidery pattern book, the compositions remain highly refined and visually engaging. Sweerts’s work therefore reflects the close relationship between natural history, printmaking, commerce, and the decorative arts during the early modern period.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48043916787866,"sku":null,"price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/Sweert34.webp?v=1779066582"},{"product_id":"plate-16-campanula-trachelium-viola-marina-from-florilegium","title":"Plate 16 \"Campanula, Trachelium, Viola Marina\" From \"Florilegium\"","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist: \u003c\/b\u003eEmanuel Sweert\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium: \u003c\/b\u003eEngraving- By Anthony Kempner\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003eAmsterdam: 1612, original hand coloring\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003eApprox. 15 3\/4 x 10 in. (sheet), 18 x 13 in. (mat)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cstrong\u003eCondition: \u003c\/strong\u003eVery Good Condition- minor foxing in image, typical of prints this old\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"0\" data-end=\"530\"\u003eSweert’s \u003cem data-start=\"9\" data-end=\"22\"\u003eflorilegium\u003c\/em\u003e stands as one of the earliest and most celebrated examples of botanical illustration published in the Netherlands. Issued in 1612 by the Dutch publisher Emanuel Sweerts, the work contains little accompanying text beyond a multilingual catalogue of the illustrated plants in Latin, German, French, and English. As noted by Wilfrid Blunt and William T. Stearn, the publication also functioned as a commercial sales catalogue, advertising plants available for purchase from Sweerts’s shop in Frankfurt-am-Main.\u003c\/p\u003e\n\u003cp data-start=\"532\" data-end=\"1068\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThe vivid and decorative botanical images exemplify the appeal of the seventeenth-century florilegium, a genre devoted more to the beauty and arrangement of flowers than to scientific originality. Although many of the plates were adapted from earlier sources, including Pierre Vallet’s 1608 embroidery pattern book, the compositions remain highly refined and visually engaging. Sweerts’s work therefore reflects the close relationship between natural history, printmaking, commerce, and the decorative arts during the early modern period.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48080841998490,"sku":null,"price":700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/Sweert16c.webp?v=1779119911"},{"product_id":"plate-59","title":"Plate 59","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist:\u003c\/b\u003e Jane Wells Loudon\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium: \u003c\/b\u003eLithograph- By Day \u0026amp; Haghe\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003eLondon: William Smith, 1843, original hand coloring\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003e11 1\/2 x 8 3\/4 in. (sheet)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions: \u003c\/b\u003eExcellent Condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA bright and wonderfully decorative set of prints from Mrs. Loudon’s celebrated \u003cem data-start=\"80\" data-end=\"103\"\u003eLadies’ Flower Garden\u003c\/em\u003e. Created both as an instructive guide for the cultivated nineteenth-century woman and as a source of visual delight, the plates beautifully fulfill both purposes. Delicately lithographed and skillfully hand-colored, the flowers are arranged in graceful, richly composed bouquets. These prints remain fine examples of the exceptional artistry and craftsmanship of nineteenth-century botanical illustration.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48080902815898,"sku":null,"price":225.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/LoudonPl59c.jpg?v=1779120621"},{"product_id":"plate-61","title":"Plate 61","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist:\u003c\/b\u003e Jane Wells Loudon\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium: \u003c\/b\u003eLithograph- By Day \u0026amp; Haghe\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003eLondon: William Smith, 1843, original hand coloring\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003e11 1\/2 x 8 3\/4 in. (sheet)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions: \u003c\/b\u003eExcellent Condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA bright and wonderfully decorative set of prints from Mrs. Loudon’s celebrated \u003cem data-start=\"80\" data-end=\"103\"\u003eLadies’ Flower Garden\u003c\/em\u003e. Created both as an instructive guide for the cultivated nineteenth-century woman and as a source of visual delight, the plates beautifully fulfill both purposes. Delicately lithographed and skillfully hand-colored, the flowers are arranged in graceful, richly composed bouquets. These prints remain fine examples of the exceptional artistry and craftsmanship of nineteenth-century botanical illustration.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48080904159386,"sku":null,"price":225.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/LoudonPl61c.jpg?v=1779120841"},{"product_id":"plate-58","title":"Plate 58","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist:\u003c\/b\u003e Jane Wells Loudon\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium: \u003c\/b\u003eLithograph- By Day \u0026amp; Haghe\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003eLondon: William Smith, 1843, original hand coloring\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003e11 1\/2 x 8 3\/4 in. (sheet)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions: \u003c\/b\u003eExcellent Condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA bright and wonderfully decorative set of prints from Mrs. Loudon’s celebrated \u003cem data-start=\"80\" data-end=\"103\"\u003eLadies’ Flower Garden\u003c\/em\u003e. Created both as an instructive guide for the cultivated nineteenth-century woman and as a source of visual delight, the plates beautifully fulfill both purposes. Delicately lithographed and skillfully hand-colored, the flowers are arranged in graceful, richly composed bouquets. These prints remain fine examples of the exceptional artistry and craftsmanship of nineteenth-century botanical illustration.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48081219125402,"sku":null,"price":225.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/LoudonPl58c.jpg?v=1779125767"},{"product_id":"n-365","title":"N. 365","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist: \u003c\/b\u003eJohann Wilhelm Weinmann\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium:\u003c\/b\u003e \u003cspan\u003eEtching and mezzotint- By Johann J. Haid and Seuter\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003e\u003cspan\u003eRatisbon: Hieronymum Lenzium, 1739,  printed with colors and finished by hand\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003eApprox. 15 1\/4 x 9 3\/4 in. (sheet), 18 x 13 3\/4 in. (mat)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions: \u003c\/b\u003eVery Good Condition- s\u003cspan\u003eome minor stains in margins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAmong the most celebrated botanical works of the eighteenth century, Johann Weinmann's extraordinary series of fruit and flower prints stands as a remarkable achievement in both art and printmaking technology. Issued in the first part of the 1700s, this diverse and comprehensive collection represents one of the earliest and most ambitious attempts at color reproduction in botanical illustration.\u003c\/p\u003e\n\u003cp\u003eEach plate is a masterwork of technical innovation. The copper plates were meticulously prepared with finely etched outlines and rich mezzotinted interior tones, creating a remarkable depth and luminosity. The images were then printed in color directly from the plates—a pioneering technique for its era, and each impression was subsequently enhanced with delicate hand coloring, ensuring that no two prints are exactly alike. The result is a vibrant, almost painterly quality that brings these botanical subjects to life with astonishing freshness.\u003c\/p\u003e\n\u003cp\u003eA large number of the original drawings were executed by Georg D. Ehret, widely regarded as one of the greatest botanical artists of the eighteenth century. His keen observational eye and elegant compositional sense are evident throughout, rendering each flower and fruit with scientific accuracy and artistic grace.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48091099070618,"sku":null,"price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/weinmann365c.jpg?v=1779236980"},{"product_id":"n-294","title":"N. 294","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist: \u003c\/b\u003eJohann Wilhelm Weinmann\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium:\u003c\/b\u003e \u003cspan\u003eEtching and mezzotint- By Johann J. Haid and Seuter\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003e\u003cspan\u003eRatisbon: Hieronymum Lenzium, 1739,  printed with colors and finished by hand\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003eApprox. 15 1\/4 x 9 3\/4 in. (sheet), 18 x 13 3\/4 in. (mat)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions: \u003c\/b\u003eVery Good Condition- s\u003cspan\u003eome minor stains in margins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAmong the most celebrated botanical works of the eighteenth century, Johann Weinmann's extraordinary series of fruit and flower prints stands as a remarkable achievement in both art and printmaking technology. Issued in the first part of the 1700s, this diverse and comprehensive collection represents one of the earliest and most ambitious attempts at color reproduction in botanical illustration.\u003c\/p\u003e\n\u003cp\u003eEach plate is a masterwork of technical innovation. The copper plates were meticulously prepared with finely etched outlines and rich mezzotinted interior tones, creating a remarkable depth and luminosity. The images were then printed in color directly from the plates—a pioneering technique for its era, and each impression was subsequently enhanced with delicate hand coloring, ensuring that no two prints are exactly alike. The result is a vibrant, almost painterly quality that brings these botanical subjects to life with astonishing freshness.\u003c\/p\u003e\n\u003cp\u003eA large number of the original drawings were executed by Georg D. Ehret, widely regarded as one of the greatest botanical artists of the eighteenth century. His keen observational eye and elegant compositional sense are evident throughout, rendering each flower and fruit with scientific accuracy and artistic grace.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48091099103386,"sku":null,"price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/weinmann294c.jpg?v=1779237544"},{"product_id":"n-457-by-johann-weinmann","title":"N. 457- By Johann Weinmann","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist: \u003c\/b\u003eJohann Wilhelm Weinmann\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium:\u003c\/b\u003e \u003cspan\u003eEtching and mezzotint- By Johann J. Haid and Seuter\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003e\u003cspan\u003eRatisbon: Hieronymum Lenzium, 1739,  printed with colors and finished by hand\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003eApprox. 15 1\/4 x 9 3\/4 in. (sheet), 18 x 13 3\/4 in. (mat)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions: \u003c\/b\u003eVery Good Condition- s\u003cspan\u003eome minor stains in margins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAmong the most celebrated botanical works of the eighteenth century, Johann Weinmann's extraordinary series of fruit and flower prints stands as a remarkable achievement in both art and printmaking technology. Issued in the first part of the 1700s, this diverse and comprehensive collection represents one of the earliest and most ambitious attempts at color reproduction in botanical illustration.\u003c\/p\u003e\n\u003cp\u003eEach plate is a masterwork of technical innovation. The copper plates were meticulously prepared with finely etched outlines and rich mezzotinted interior tones, creating a remarkable depth and luminosity. The images were then printed in color directly from the plates—a pioneering technique for its era, and each impression was subsequently enhanced with delicate hand coloring, ensuring that no two prints are exactly alike. The result is a vibrant, almost painterly quality that brings these botanical subjects to life with astonishing freshness.\u003c\/p\u003e\n\u003cp\u003eA large number of the original drawings were executed by Georg D. Ehret, widely regarded as one of the greatest botanical artists of the eighteenth century. His keen observational eye and elegant compositional sense are evident throughout, rendering each flower and fruit with scientific accuracy and artistic grace.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48122481082522,"sku":null,"price":155.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/Weinmann457c.jpg?v=1779635279"},{"product_id":"n-482-by-johann-weinmann","title":"N. 482- By Johann Weinmann","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist: \u003c\/b\u003eJohann Wilhelm Weinmann\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium:\u003c\/b\u003e \u003cspan\u003eEtching and mezzotint- By Johann J. Haid and Seuter\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details: \u003c\/b\u003e\u003cspan\u003eRatisbon: Hieronymum Lenzium, 1739,  printed with colors and finished by hand\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003eApprox. 15 1\/4 x 9 3\/4 in. (sheet), 18 x 13 3\/4 in. (mat)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions: \u003c\/b\u003eVery Good Condition- s\u003cspan\u003eome minor stains in margins\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAmong the most celebrated botanical works of the eighteenth century, Johann Weinmann's extraordinary series of fruit and flower prints stands as a remarkable achievement in both art and printmaking technology. Issued in the first part of the 1700s, this diverse and comprehensive collection represents one of the earliest and most ambitious attempts at color reproduction in botanical illustration.\u003c\/p\u003e\n\u003cp\u003eEach plate is a masterwork of technical innovation. The copper plates were meticulously prepared with finely etched outlines and rich mezzotinted interior tones, creating a remarkable depth and luminosity. The images were then printed in color directly from the plates—a pioneering technique for its era, and each impression was subsequently enhanced with delicate hand coloring, ensuring that no two prints are exactly alike. The result is a vibrant, almost painterly quality that brings these botanical subjects to life with astonishing freshness.\u003c\/p\u003e\n\u003cp\u003eA large number of the original drawings were executed by Georg D. Ehret, widely regarded as one of the greatest botanical artists of the eighteenth century. His keen observational eye and elegant compositional sense are evident throughout, rendering each flower and fruit with scientific accuracy and artistic grace.\u003c\/p\u003e","brand":"JCE (Phila Print Shop)","offers":[{"title":"Default Title","offer_id":48122517487770,"sku":null,"price":165.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/Weinmann482c.jpg?v=1779635797"},{"product_id":"plate-xxxii-32-by-george-brookshaw","title":"Plate XXXII (32)- By George Brookshaw","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist: \u003c\/b\u003eGeorge Brookshaw\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium:\u003c\/b\u003e Aquatint and stipple engraving\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details:\u003c\/b\u003e London: 1812, from \u003cem\u003ePomona Britannica\u003c\/em\u003e, print in colored and finished by hand\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003e22 3\/4 x 18 1\/4 in. (mat)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions:\u003c\/b\u003e Very good condition, image slightly faded by time\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eGeorge Brookshaw's celebrated \u003c\/span\u003e\u003cem\u003e\u003cspan\u003ePomona Britannica\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (1812) illustrates the remarkable varieties of fruit cultivated in the Royal Gardens at Hampton Court and Kensington Gardens at the beginning of the nineteenth century. Originally trained as a cabinetmaker, Brookshaw abandoned his trade in mid-life to pursue a career as a flower painter and teacher, dedicating years of painstaking effort to the engravings that were issued in parts beginning in 1804 and ultimately published together in 1812.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEmploying the refined aquatint and stipple engraving techniques, Brookshaw produced sumptuous images distinguished by their rich coloration and dramatic chocolate-brown backgrounds, creating a visual effect unlike that of earlier botanical works. \u003c\/span\u003e\u003cem\u003e\u003cspan\u003ePomona Britannica\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is widely regarded as one of the masterpieces of nineteenth-century botanical illustration, containing some of the finest color engravings of fruit ever produced. Today, its plates are highly prized for their exceptional beauty, rarity, and decorative appeal, making them outstanding additions to collections of botanical art or elegant focal points for home or office display.\u003c\/span\u003e\u003c\/p\u003e","brand":"JCE (WSG)","offers":[{"title":"Default Title","offer_id":48500042825882,"sku":null,"price":1400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/Fruits.jpg?v=1782261113"},{"product_id":"myrtopetalon-by-abraham-munting","title":"Myrtopetalon- By Abraham Munting","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist:\u003c\/b\u003e Abraham Munting\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium\u003c\/b\u003e: Copperplate Engraving\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details:\u003c\/b\u003e Amsterdam: Abraham Munting, 1702-1713. From \u003cem\u003ePhytographia Curiosa\u003c\/em\u003e, modern hand coloring\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements:\u003c\/b\u003e 22 x 17 in. (frame)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions: \u003c\/b\u003eExcellent condition, matted and framed to museum standards\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAbraham Munting (1626–1683) was a distinguished Dutch botanist, physician, and botanical artist whose work helped redefine botanical illustration during the late seventeenth century. The son of renowned botanist Henricus Munting, he studied at the universities of Franeker, Utrecht, and Leiden before earning his medical degree in Angers, France. Upon returning to Groningen in 1651, he joined the faculty of what is now the University of Groningen, where he served for more than two decades as Professor of Botany and Chemistry.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eMunting's masterpiece, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eNaauwkeurige Beschryving Der Aardgewassen\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (1696), was published posthumously and remains one of the most celebrated botanical books of its era. Expanding upon his earlier \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eWaare Oeffening der Planten\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, the work departed from the conventions of traditional botanical illustration by presenting plants within imaginative classical and pastoral landscapes. Trees, flowers, shrubs, and grasses often appear gracefully suspended against scenic backgrounds, creating compositions that are as artistically captivating as they are scientifically informative.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe engravings illustrate a remarkable variety of temperate plants alongside exotic tropical and subtropical species that had recently been introduced to the Netherlands, reflecting the era's growing fascination with horticulture and global exploration. Today, Munting's botanical plates are prized for their unique artistic vision, decorative elegance, and historical importance, making them among the most desirable seventeenth-century botanical prints for collectors and interior designers alike.\u003c\/span\u003e\u003c\/p\u003e","brand":"JCE (WSG)","offers":[{"title":"Default Title","offer_id":48657795383450,"sku":null,"price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/BotFrame1.jpg?v=1783281063"},{"product_id":"melissa-laevis-molucana-by-abraham-munting","title":"Melissa Laevis Molucana- By Abraham Munting","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist:\u003c\/b\u003e Abraham Munting\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium\u003c\/b\u003e: Copperplate Engraving\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details:\u003c\/b\u003e Amsterdam: Abraham Munting, 1702-1713. From \u003cem\u003ePhytographia Curiosa\u003c\/em\u003e, modern hand coloring\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements:\u003c\/b\u003e 22 x 17 in. (frame)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions: \u003c\/b\u003eExcellent condition, matted and framed to museum standards\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAbraham Munting (1626–1683) was a distinguished Dutch botanist, physician, and botanical artist whose work helped redefine botanical illustration during the late seventeenth century. The son of renowned botanist Henricus Munting, he studied at the universities of Franeker, Utrecht, and Leiden before earning his medical degree in Angers, France. Upon returning to Groningen in 1651, he joined the faculty of what is now the University of Groningen, where he served for more than two decades as Professor of Botany and Chemistry.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eMunting's masterpiece, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eNaauwkeurige Beschryving Der Aardgewassen\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (1696), was published posthumously and remains one of the most celebrated botanical books of its era. Expanding upon his earlier \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eWaare Oeffening der Planten\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, the work departed from the conventions of traditional botanical illustration by presenting plants within imaginative classical and pastoral landscapes. Trees, flowers, shrubs, and grasses often appear gracefully suspended against scenic backgrounds, creating compositions that are as artistically captivating as they are scientifically informative.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe engravings illustrate a remarkable variety of temperate plants alongside exotic tropical and subtropical species that had recently been introduced to the Netherlands, reflecting the era's growing fascination with horticulture and global exploration. Today, Munting's botanical plates are prized for their unique artistic vision, decorative elegance, and historical importance, making them among the most desirable seventeenth-century botanical prints for collectors and interior designers alike.\u003c\/span\u003e\u003c\/p\u003e","brand":"JCE (WSG)","offers":[{"title":"Default Title","offer_id":48657798037658,"sku":null,"price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/BotFrame2.jpg?v=1783281773"},{"product_id":"plate-lxxviii-78-by-george-brookshaw","title":"Plate LXXVIII (78)- By George Brookshaw","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist: \u003c\/b\u003eGeorge Brookshaw\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium:\u003c\/b\u003e Aquatint and stipple engraving\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details:\u003c\/b\u003e London: 1812, from \u003cem\u003ePomona Britannica\u003c\/em\u003e, printed in color and finished by hand\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003e29 1\/2 x 26 in. (frame)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions:\u003c\/b\u003e Excellent condition, professionally framed to museum standards\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eGeorge Brookshaw's celebrated \u003c\/span\u003e\u003cem\u003e\u003cspan\u003ePomona Britannica\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (1812) illustrates the remarkable varieties of fruit cultivated in the Royal Gardens at Hampton Court and Kensington Gardens at the beginning of the nineteenth century. Originally trained as a cabinetmaker, Brookshaw abandoned his trade in mid-life to pursue a career as a flower painter and teacher, dedicating years of painstaking effort to the engravings that were issued in parts beginning in 1804 and ultimately published together in 1812.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEmploying the refined aquatint and stipple engraving techniques, Brookshaw produced sumptuous images distinguished by their rich coloration and dramatic chocolate-brown backgrounds, creating a visual effect unlike that of earlier botanical works. \u003c\/span\u003e\u003cem\u003e\u003cspan\u003ePomona Britannica\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is widely regarded as one of the masterpieces of nineteenth-century botanical illustration, containing some of the finest color engravings of fruit ever produced. Today, its plates are highly prized for their exceptional beauty, rarity, and decorative appeal, making them outstanding additions to collections of botanical art or elegant focal points for home or office display.\u003c\/span\u003e\u003c\/p\u003e","brand":"JCE (WSG)","offers":[{"title":"Default Title","offer_id":48657988747418,"sku":null,"price":3300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/BrookshawPl78.jpg?v=1783288772"},{"product_id":"plate-xci-91-by-george-brookshaw","title":"Plate XCI (91)- By George Brookshaw","description":"\u003cul style=\"margin-top: 0in;\" type=\"disc\"\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eArtist: \u003c\/b\u003eGeorge Brookshaw\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMedium:\u003c\/b\u003e Aquatint and stipple engraving\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003ePublish Details:\u003c\/b\u003e London: 1812, from \u003cem\u003ePomona Britannica\u003c\/em\u003e, printed in color and finished by hand\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eMeasurements: \u003c\/b\u003e 26 x 21 3\/4 in. (frame)\u003c\/li\u003e\n\u003cli class=\"MsoNormal\" style=\"mso-list: l0 level1 lfo1; tab-stops: list .5in;\"\u003e\n\u003cb\u003eConditions:\u003c\/b\u003e Very good condition, some foxing in margins but image is unblemished, professionally framed to museum standards\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eGeorge Brookshaw's celebrated \u003c\/span\u003e\u003cem\u003e\u003cspan\u003ePomona Britannica\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (1812) illustrates the remarkable varieties of fruit cultivated in the Royal Gardens at Hampton Court and Kensington Gardens at the beginning of the nineteenth century. Originally trained as a cabinetmaker, Brookshaw abandoned his trade in mid-life to pursue a career as a flower painter and teacher, dedicating years of painstaking effort to the engravings that were issued in parts beginning in 1804 and ultimately published together in 1812.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEmploying the refined aquatint and stipple engraving techniques, Brookshaw produced sumptuous images distinguished by their rich coloration and dramatic chocolate-brown backgrounds, creating a visual effect unlike that of earlier botanical works. \u003c\/span\u003e\u003cem\u003e\u003cspan\u003ePomona Britannica\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is widely regarded as one of the masterpieces of nineteenth-century botanical illustration, containing some of the finest color engravings of fruit ever produced. Today, its plates are highly prized for their exceptional beauty, rarity, and decorative appeal, making them outstanding additions to collections of botanical art or elegant focal points for home or office display.\u003c\/span\u003e\u003c\/p\u003e","brand":"JCE (WSG)","offers":[{"title":"Default Title","offer_id":48657992450202,"sku":null,"price":2300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0749\/8193\/3210\/files\/BrookshawPl91.jpg?v=1783289828"}],"url":"https:\/\/jcegallery.com\/collections\/botanicals.oembed","provider":"JCE Gallery","version":"1.0","type":"link"}